A new Cabal album is very welcome. 2020’s Drag Me Down was murderously good fun, so it’s great to greet Magno Interitus‘ 36 minutes with big expectations. But have Cabal once again delivered the goods? Continue reading “Cabal – Magno Interitus (Review)”
Wow, what an unexpectedly rich source of great music January was. I honestly can’t remember a January that had so many metal releases that were this good. I’ve chosen five of the best below, and none of them are to be missed… Continue reading “Monthly Overview – the Best of January 2022”
Fit for an Autopsy are a deathcore band from the US and this is their sixth album.
Both 2017’s The Great Collapse and 2019’s The Sea of Tragic Beasts demonstrated Fit for an Autopsy‘s superiority when it comes to deathcore. The band are just doing better things with the style than most other ostensibly similar bands out there. With that in mind, expectations were high for Oh What the Future Holds. Continue reading “Fit for an Autopsy – Oh What the Future Holds (Review)”
2016’s Xenocide was an exemplar of modern brutality, with its alien melodies and extraterrestrial themes. Hell Will Come for Us All is a different beast; although still recognisably the same band in some respects, the Aversions Crown of 2020 is more grounded in the present, with a corresponding increase in brutally destructive heaviness, and a sound more reminiscent of some of their peers. Continue reading “Aversions Crown – Hell Will Come for Us All (Review)”
Here we have 37 minutes of music; metallic hardcore that also borrows from both modern metal and deathcore. The songs are compact and concise expressions of anger, frustration, and hardship, channelled through satisfyingly brutal tracks that are also full of good hooks and choruses. Continue reading “Kingsmen – Revenge.Forgiveness.Recovery (Review)”
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
Tonight’s sold out show boasts a strong lineup of modern heaviness and extremity. It’s a show I’m very glad I have got to attend. So without further ado… Continue reading “Human Target Tour – Thy Art Is Murder/Carnifex/Fit for an Autopsy/Rivers of Nihil/I Am – Manchester Academy 2, 26/01/20 (Live Review)”
Oceans are an interesting band. Their music consists of an engaging combination of diverse influences, all wrapped together with coherent skill. Elements of death metal, melodic metal, melodic doom, nu-metal, and progressive metal can all be heard. Think of Continue reading “Oceans – The Sun and the Cold (Review)”
This album follows on from 2017’s hugely enjoyable The Great Collapse, which stood tall and proud as an example of deathcore that took influence from the original parameters of the genre, but had also progressed beyond it. The Sea of Tragic Beasts finds the band continuing down their chosen path, merging deathcore ferocity with post-deathcore progressive atmospherics and emotional content. Continue reading “Fit for an Autopsy – The Sea of Tragic Beasts (Review)”
Australians seem to know how to tear out some decent extreme metal, and Prometheus is a very enjoyable listen if you’re partial to modern heavy music. Yep, fans of Aversions Crown, Thy Art Is Murder, Fit for an Autopsy, and the like are advised to check this out.
This slab of gnarliness also features the guitarist of Earth Rot, which is another selling point. Continue reading “Xenobiotic – Prometheus (Review)”