Śmierć Baldura contains three songs, along with an intro track, and lasts 13 minutes in duration. Continue reading
Already an impressive and accomplished technical/progressive death metal proposition prior to this album, Where Owls Know My Name sees the band developing their sound even more than previously. Continue reading
Horizon Ablaze play a brand of extreme metal that largely consists of atmospheric/progressive/avant-garde black metal, (among other things). It’s an impressive and well-delivered proposition, that’s for sure. Continue reading
This is complex music, fusing modern progressive and technical metal influences with djent elements to create experimental extreme metal. Vignette is notable for many things, one of which is that it largely takes from the strengths of these styles and leaves the weaknesses floundering in the dust, which is not an easy feat to achieve. Continue reading
This is extreme metal that’s both atmospheric and progressive, borrowing liberally from many extreme metal styles and sub-genres, including modern progressive metal, post-metal, death metal, and black metal. Continue reading
So strongly do I associate Poland with death metal, than upon seeing the album cover of The Blaze Within I immediately jumped to that conclusion with Wingless. Well, you know what they say about books and their covers… Continue reading
This is an interesting brand of progressive metal – Of the Sun essentially take the groove metal of bands like Pantera and Lamb of God and mix it with a bit of modern progressive music that has hints of Gojira, Mastodon and Alice in Chains in it. Continue reading
Palmer play contemporary heavy music that takes in elements of metal, sludge, progressive metal, post-metal and post-hardcore into its embrace. These influences manifest in various ways throughout the album, but Continue reading
Ferium’s début album Reflections was a lively and enjoyable album that mixed Death and Groove Metal in just the right amounts.
The first thing about Behind the Black Eyes that strikes me is that it’s a far more focused effort than their début; the total playing time, total number of songs and individual track lengths have all been pruned, showing a band who have gained experience in the last few years and have trimmed away the fat to leave a lean, aggressive Metal machine.
The band essentially employ the same format as they did previously – heavy riffs and groovy beats interspersed with elements of modern Metalcore and underscored by a Death Metal base – but this time it’s tighter and more direct. That’s not to say there’s no depth of songwriting here, rather, the band are now closer to the style they clearly want to play and are playing it as they know how best to do; with angry brutality and poised aggression.
The singer growls and barks his way through the tracks. He seems to have improved on his already very satisfactory earlier performance and on this latest release appears to have settled into his role even more comfortably than previously. His voice is quite versatile, with his many different vocalisations all intent on maximising aggression.
All of the songs are well written and demonstrate a band coming into their own. Interesting and nuanced riffs rub shoulders with simpler bruisers, resulting in satisfying songs that may take a direct approach but provide enough content so as to be worth returning to over time.
Well, Reflections was good, but this is better. Well done Ferium.
Highly recommended for fans of Whitechapel, Gojira, Lamb of God, Job for a Cowboy, Thy Art Is Murder, Meshuggah, etc.