Warforged are a death metal band from the US and this is their second album.
Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”
Decapitated are a Polish death metal band and this is their eighth album.
This is the follow up to 2017’s Anticult, and offers 37 minutes of heaviness that is ridiculously enjoyable. I expected a new Decapitated release to be good, but I was not ready for just how good Cancer Culture turned out to be. Continue reading “Decapitated – Cancer Culture (Review)”
This is the third album from Imminent Sonic Destruction, a progressive metal band from the US.
The Sun Will Always Set contains 52 minutes of expressive progressive metal. It’s an album that might not be what you think it is as it wears many hats across its playing time. Continue reading “Imminent Sonic Destruction – The Sun Will Always Set (Review)”
Meshuggah are a legendary Swedish progressive/extreme metal band and this is their ninth album.
I really enjoyed Meshuggah’s last record, (2016’s The Violent Sleep of Reason), and it grew on me more and more over time. six years later the band have returned with a colossal 69-minute slab of their inimitable, (yet frequently badly imitated), djent-based progressive metal. Continue reading “Meshuggah – Immutable (Review)”
This is the second album from Mass Worship, an extreme metal band from Sweden.
The Mass Worship formula for delivering a crushing metal album is one of finding the best ratio of metal, death metal and hardcore. At the Gates, Meshuggah, and Mastodon are all mentioned as influences, and these help appreciate where Mass Worship are coming from. Continue reading “Mass Worship – Portal Tombs (Review)”
Vildhjarta are a Swedish progressive metal band and this is their second album.
Okay, buckle up and get comfortable, as this one’s a beast – there’s 80 minutes of material here, and it isn’t likely to appeal to those uninitiated in the ways of djent. Continue reading “Vildhjarta – Måsstaden Under Vatten (Review)”
This is the debut album from US technical metal band Sentinels.
Collapse by Design features 47 minutes of contemporary heaviness. The band mix elements of metalcore, mathcore, progressive metal, djent, and technical metal, and do so really rather well. Alongside this they also play around with melodic and Continue reading “Sentinels – Collapse by Design (Review)”
This is the second album from US metal band Sleep Waker.
Alias contains 31 as of modern metalcore spliced with elements of electronica and ambience. Continue reading “Sleep Waker – Alias (Review)”
This is the fourth album from Swedish death metallers Humanity’s Last Breath.
Following on from the monolithic juggernaut that was 2019’s Abyssal, Humanity’s Last Breath have pulled out all of the stops and produced their best work to date. Välde is 54 minutes of malignant modern death metal darkness. Continue reading “Humanity’s Last Breath – Välde (Review)”
Growth are an Australian death metal band and this is their debut album.
This is essentially modern progressive death metal, but with a distinctly personal slant. That’s a bit too simplistic a description though. The promo blurb mentions bands such as Opeth, Gorguts, Black Crown Initiate, and Fallujah, and I can see why. To Continue reading “Growth – The Smothering Arms of Mercy (Review)”
Wonderbox Metal 