This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
This is the third album from French thrash/heavy metallers Heart Attack.
Described in the promo blurb as “the lovechild of Gojira, Machine Head and early Metallica”, this is a decent starting point for approaching Negative Sun. Across 45 minutes, (including a Genesis cover as a bonus track), Heart Attack unleash a mix of old and new thrash/groove/heavy metal, (with a touch of hardcore), and do so with passion and charisma. Continue reading “Heart Attack – Negative Sun (Review)”
Malevolence are a metal band from the UK and this is their third album.
Malevolence play the sort of groove metal/metalcore hybrid that sounds like it should have been released in the mid-90s. If you take bands like Pantera and Hatebreed, and then throw in a touch of Crowbar, you’ll have a decent reference point for what Malevolence get up to on Malicious Intent; 38 minutes of Continue reading “Malevolence – Malicious Intent (Review)”
Hellblind are a UK metal band and this is their debut EP.
This new band is made up of current/ex-members of Pitchshifter, Stampin’ Ground, Romeo Must Die, Outside the Coma, and This Is Menace. The band play heavy music and do so with enthusiasm. Combining Continue reading “Hellblind – A Plague on All Your Houses (Review)”
Once Human are a metal band from the US and this is their third album.
Brought to us my an ex-member of Machine Head, Once Human play a heavy brand of modern metal that is designed to get pits moving everywhere, but also offers a bit more depth than you’d expect. Think of a mix of bands such as Machine Head, Fear Factory, Gojira, Jinjer, Strapping Young Lad, and Lamb of God, and then add some increased progressive and technical metal influences, and a touch of classic heavy metal, and you’ll have a decent starting point for Scar Weaver. Continue reading “Once Human – Scar Weaver (Review)”
This is the latest EP from Orbit Culture, a Swedish metal band.
Following on from 2020’s Nija, Shaman contains 25 minutes of new material. If you’re a fan of modern metal that mixes groove metal, thrash, metalcore , and deathcore together, then Shaman is a meaty and satisfying hit of heaviness. Continue reading “Orbit Culture – Shaman (Review)”
This is the fourth album from UK metallers Employed to Serve.
Across 48 minutes Employed to Serve dish out eleven tracks of energetic damage. Combining metal and hardcore together like it’s something fresh and vital, the band manage to avoid the tired metalcore tropes and instead deliver an album of crushing tunes and anthemic heaviness. Continue reading “Employed to Serve – Conquering (Review)”
This is the debut album from Devils Reef, a death metal band from the US.
Chosen by the Sea contains 35 minutes of death metal that incorporates elements from both technical and thrash metal. Continue reading “Devils Reef – Chosen by the Sea (Review)”
This is the third album from Swedish metallers Orbit Culture.
Orbit Culture play a type of modern metal that mixes groove metal, thrash, and metalcore together, adds a touch of deathcore, and then coats everything in a meaty production designed to get the blood pumping. Continue reading “Orbit Culture – Nija (Review)”
This is the third album from Katalepsy, a Russian death metal band.
2016’s Gravenous Hour was a superior release, and now Terra Mortuus Est continues the band’s developmental pathway that they are on. Katalepsy play the sort of modern death metal that grabs you by the throat and squeezes hard right before the beating starts. These guys don’t mess around. Continue reading “Katalepsy – Terra Mortuus Est (Review)”
Wonderbox Metal 