Betraying the Martyrs play keyboard-enriched metalcore that contains elements of both technical and nu-metal. The band’s sound makes for a dynamic listen that doesn’t pull punches, either musically or emotionally. Roughly a mix of Bleeding Through, American Headcharge, Carnifex, Korn, Born of Osiris, and Slipknot, Rapture is a rich and enjoyable album. Continue reading “Betraying the Martyrs – Rapture (Review)”
Tormentor is the first release from The Agony Scene since 2007’s Get Damned. I always liked this band’s razor-sharp take on modern metal, so it’s great to hear them make a return. Continue reading “The Agony Scene – Tormentor (Review)”
So, every month I say something along the lines of “this month has been a strong month for metal, blah, blah, blah…”, but May really has been a ridiculously strong month for metal! I really have struggled to keep this list down to manageable levels this time, and removed a few potential entries simply to keep the numbers down, (I’m not happy about this). So anyway, in no particular order, I give you my top picks for May 2018… Continue reading “Monthly Overview – the Best of May 2018”
Bleeding Through were always one of the absolute best of the metalcore bands that appeared in the early 00s. Not only were they brutally aggressive, with a truly harsh side to their sound that was rarely matched by some of their contemporaries, but they also married this up with some first-rate songcraft, and a relatively unusual inclusion, (at the time), of Gothic keyboards. Continue reading “Bleeding Through – Love Will Kill All (Review)”
Hollow Bones play modern metalcore, but with a little bit of a twist. Essentially the band take the tried-and-true NWOAHM metalcore template and put their spin on it through force of passion, a heightened emotive melodicism, and captivating female vocals.
The songs are enjoyably heavy slabs of metal with lots of tasty riffs. The guitars have Continue reading “Hollow Bones – Lionheart (Review)”
Featuring ex-members of such high-profile bands as Killswitch Engage, Divine Heresy, All Shall Perish and Bleeding Through, you know there’s a wealth of experience and talent behind this album before you even press play.
When you do press play, I like that there’s no messing around with pointless intros or anything like that; it’s straight into the double-bass led action, with plenty of heaviness and groove.
The singer is on fine form. Whether he was shouting at the top of his voice in Killswitch Engage or Blood Has Been Shed, he has always had a top-rate set of lungs. The majority of his work on They Bleed Red is angry and harsh shouting, although other variations are also used, as well as his clean singing voice.
The music is heavy and full of rhythmic Metal that also takes influences from both Metalcore’s beatdowns and the more extreme, faster side of Modern Metal. Although it’s all thoroughly modern and new-sounding, they still find the time to add in some more Classic Metal influences, including the odd guitar solo.
The production, as should be expected from a band like this, is huge and crushing. Bands like this need a strong sound as otherwise the power of some the riffs can easily be distilled. No such worry here, of course, and you can feel every guitar riff and drum beat.
They Bleed Red is a good combination of the more commercial side of Metal mixed with a heavier, more extreme sensibility. It’s too heavy and shouty to be as popular as a band like Killswitch Engage, but it’s got a commercial edge and songwriting-calibre that will see it snapped up by those who like some catchy songs with their heaviness.
Give it a listen and see what you think.