Lamentations are a Singapore/US death metal band and this is their second album.
Featuring members of Tómarúm and Monotheist, Lamentations play progressive death metal, and Passion of Depression provides us with 57 minutes of exotic material to explore. Continue reading “Lamentations – Passion of Depression (Review)”
This is the debut album from international death metallers Obsidious.
Containing current and ex-members of bands such as Alkaloid and Obscura, Obsidious play a form of progressive/technical death metal that melts faces, but does so with an epic hook. Continue reading “Obsidious – Iconic (Review)”
This is the sixth album from De Profundis, a death metal band from the UK.
More De Profundis is always a welcome thing. 2018’s The Blinding Light of Faith was particularly impressive, but I also highly recommend 2015’s Kingdom of the Blind too. I have been looking forward to The Corruption of Virtue and it has not disappointed. Continue reading “De Profundis – The Corruption of Virtue (Review)”
Omophagia are a Swiss death metal band and this is their fourth album.
2016’s In the Name of Chaos was very enjoyable, but it was with 2019’s 646965 that Omophagia really made their mark. As such, Rebirth in Black is one I’ve been waiting for, so let’s get to it. Continue reading “Omophagia – Rebirth in Black (Review)”
This is the debut album from US death metallers Sublation.
I loved Fisthammer’s 2014 album Infallible. An incredible blend of blackened and technical death metal, it’s an album I still visit surprisingly often. Why do I bring this up here? Because Sublation are the reincarnation of Fisthammer, who have returned with a new name, a stripped back lineup, and a refreshed vision for extreme metal. As such, I simply had to give The Path to Bedlam a decent airing. Continue reading “Sublation – The Path to Bedlam (Review)”
Deformatory are a Canadian death metal band and this is their latest EP.
Deformatory’s brand of brutality is one that I am well on board with, (make sure you check out In the Wake of Pestilence, Malediction, and Inversion of the Unseen Horizon). Harbinger delivers 16 minutes of the good stuff, ferociously demonstrating why Deformatory are an easy win for fans of brutal and technical death metal. Continue reading “Deformatory – Harbinger (Review)”
Warforged are a death metal band from the US and this is their second album.
Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”
This is the fifth album from US death metal band Fallujah.
Following on from 2019’s Undying Light, Fallujah once again return, with a new lineup and a new 52 minutes of material. Empyrean follows on more from 2016’s Dreamless than it does Undying Light, as well as incorporating a few elements from the band’s earlier work, including some minor deathcore dynamics. Continue reading “Fallujah – Empyrean (Review)”
This is the second album from Turkish death metal band Inhuman Depravity.
The Experimendead delivers 34 minutes of technical brutality. If you’re partial to bands such as Abnormality, Deeds of Flesh, Severe Torture, and Suffocation, then you should get on well with Inhuman Depravity’s work. Continue reading “Inhuman Depravity – The Experimendead (Review)”
Imperium are a technical Death Metal band from the UK. This is their third album.
It’s been six years since 2016’s monstrous Titanomachy, which was a very satisfyingly brutal record. Imperium are now back though, with 48 minutes of new material, and they are taking no prisoners. Continue reading “Imperium – Ex Mortis Gloria (Review)”
Wonderbox Metal 