This is the kind of death metal album that just steamrolls all over you as soon as you press play. It’s a relentlessly savage monster throughout the playing time, showing no let up in its bloody commitment to knock you over and flatten you to a mushy corpse. Continue reading
I find it so easy to like this kind of thing. It’s hyper-modern, with withering technicality, hard-as-nails brutality and enough progressive depth to keep things interesting…Reaping Asmodeia have delivered a monster of an album. Continue reading
After the promise shown on 2014’s Free from the Clutches of Gods, Hybrid Sheep have now returned with another instalment of their modern death metal, and have showed some nice progress since their first opening release. Continue reading
This is modern, sophisticated death metal with haunting atmospherics that accompany the relentless brutality. With a science fiction theme that provides an overarching story for the album, Aversions Crown spend 50 minutes telling a brutal and engaging tale. Continue reading
Sometimes you just know you have to review a release that you come across purely due to the album artwork alone; this is one such release. The cover just grabbed my attention straight away, so I knew I had to listen and absorb the musical contents as soon as I could. Continue reading
This is an ambitious, epic release; 72 minutes of science fiction-themed grandeur and technical aggression.
The band’s music is technical, melodic death metal that features a lot of engaging content and some quite virtuoso playing. For a band like this, the level of technicality on display is always going to be high, but Allegaeon never Continue reading
Carnifex play modern/melodic death metal with elements of deathcore and added orchestration.
I’m not overly familiar with Carnifex, having only listened to one of their previous albums – their 2008 release The Diseased and the Poisoned; this was an okay album, but nothing particularly special, so I was not prepared at all for how far they’ve come in the last 8 years. Slow Death is light years ahead of that release, so much so it’s almost like listening to Continue reading
This is 34 minutes of modern death metal that effectively combines speed and groove.
Cannibal Corpse-esque riffs mix with elements of deathcore and bands like The Kennedy Veil and Origin, as well as sprinklings of thrash metal here and there. The resultant music sounds like none of the above bands too much, although you can hear where their influences come from. That the band can clearly acknowledge Continue reading
Cult of Lilith play their Death Metal with muscularity, power and no little technical flair. Their style combines influences from both classic Death Metal and the more modern variants; this has equal respect for Death as it does The Faceless.
Melodic influences raise their heads in places, done in a thoroughly modern style, (not a million miles away from that of The Faceless). There’s even a touch of a Black Metal influence here and there, as well as a decent amount of technicality that both Gorguts and Death fans would be pleased with.
Deep growling shouts are the singer’s weapon of choice, although these are backed up with some quite savage screams where necessary.
These are quite involved songs that have a fair bit going on, but the band still know when to ease off the complexity and just go straight for the throat with a blasting assault when they need to. There’s a lot of good ideas and interesting added extras on these tracks and it’s clear that Cult of Lilith have high ambition for themselves.
A very promising start for this new band. I look forward to what they do next.