Fit for an Autopsy – The Sea of Tragic Beasts (Review)

Fit for an Autopsy - The Sea of Tragic BeastsFit for an Autopsy are a deathcore band from the US and this is their fifth album.

This album follows on from 2017’s hugely enjoyable The Great Collapse, which stood tall and proud as an example of deathcore that took influence from the original parameters of the genre, but had also progressed beyond it. The Sea of Tragic Beasts finds the band continuing down their chosen path, merging deathcore ferocity with post-deathcore progressive atmospherics and emotional content. Continue reading

Godeater – All Flesh Is Grass (Review)

Godeater - All Flesh Is Grass

Godeater are a death metal band from the UK and this is their debut album.

This is a raging, angry slab of ferocious modern death metal. It blends modern technicality with significant atmosphere and a melodic sensibility that results in brutally effective songs that stick in the mind like barbed thorns. Continue reading

Murder Made God – Endless Return (Review)

Murder Made God - Endless ReturnThis is the third album from Greek death metallers Murder Made God.

Here we have 40 minutes of modern death metal, providing a sound that’s meaty and professional. Well-delivered and well-written, Endless Return is an album that impresses on first exposure, but definitely Continue reading

Visceral Disgorge – Slithering Evisceration (Review)

Visceral Disgorge - Slithering EviscerationThis is the second album from US death metallers Visceral Disgorge.

Here we have around 30 minutes of brutal death metal. It’s largely inspired by late 90s/early 00s classic death metal, although this is given a modern makeover and also incorporates some slam elements. Overall, the word for this album is brutal. Brutal Brutal Brutal. Continue reading

Omophagia – 646965 (Review)

Omophagia - 646965Omophagia are a death metal band from Switzerland and this is their third album.

2016’s In the Name of Chaos was solid, muscular death metal, the type that took influence from classic death metal and then gave it a modern slant. 646965 can be roughly described the same way, but with the modern side of the equation ramped up some. Continue reading

Pathology – Reborn to Kill (Review)

Pathology - Reborn to KillPathology are a US death metal band and this is their tenth album.

Pathology have had a new lineup since 2017’s self titled album, including a guitarist from Condemned and vocalist from Inherit Disease. The songs are short and vicious, and the entire album is done in 33 minutes of grooving heaviness and nasty brutality. Continue reading

Victims of Contagion – Lamentations of the Flesh Bound (Review)

Victims of Contagion - Lamentations of the Flesh BoundVictims of Contagion are a death metal band from the US and this is their debut album.

Victims of Contagion play death metal that mixes brutality with technicality, resulting in songs that aren’t overly technical just for the sake of it. Instead, the technicality is used to forge tracks that place the song at the heart of what the band do. Continue reading

Carnifex – World War X (Review)

Carnifex - World War XThis is the seventh album from Carnifex, a US death metal band.

2016’s Slow Death was a real treat for fans of modern death metal, blending catchy songwriting with blackened melody and orchestration to produce a really enjoyable collection of songs. Although it contained elements of deathcore, as does this new one, Carnifex aren’t really a deathcore band these days – they’re far too melodic and have too much else going on, much to their credit. Continue reading

Brand of Sacrifice – God Hand (Review)

Brand of Sacrifice - GodhandThis is the debut album from Canadian death metallers Brand of Sacrifice.

At a lean 26 minutes, God Hand gets in, does its damage, and gets out again. One of the things I like about Brand of Sacrifce, however, is even though their songs tend to be short, the band aren’t afraid to play with the modern death metal formula. Continue reading

The Odious – Vesica Piscis (Review)

The Odious - Vesica PiscisThe Odious are a progressive metal band from the US and this is their second album.

The Odious’ progressive metal is a mix of modern technical/progressive/death metal and progressive rock. The end result can be loosely characterised as a mix of The Faceless, Opeth, Between the Buried and Me, Sikth, Meshuggah, Ulcerate, and Devin Townsend. Continue reading