This is the third album from US death metallers Pig’s Blood.
2019’s A Flock Slaughtered was an enjoyable record, but it’s been an age since then. Now, with the 33-minute Destroying the Spirit, are Pig’s Blood able to still cut it in today’s death metal killing fields? Continue reading “Pig’s Blood – Destroying the Spirit (Review)”
This is the third album from Mexican black metal band Muerto.
Muerto play a modern, hybrid form of gloomy black metal, that mixes together elements of sludge, dissonance, and post-black metal. The 36-minute Eclipsed Realms is the end result, and it is a Continue reading “Muerto – Eclipsed Realms (Review)”
This is the twelfth album from US death metal band Immolation.
Expectations are high for the return of Immolation, one of death metal’s strongest and most consistent legendary bands. Following on from 2022’s well-received Acts of God, the monstrous Descent drops 43 minutes of new material on an unsuspecting world like Continue reading “Immolation – Descent (Review)”
This is the second album from Japanese death metallers Invictus.
Delivering 35 minutes of old-school death metal devastation, Nocturnal Visions arrives with the impact of a meteor. Invictus are not messing around. Apart from the seemingly mandatory pointless intro, there’s Continue reading “Invictus – Nocturnal Visions (Review)”
This is the second album from Finnish death metal band Proscription.
Desolate Divine contains 44 minutes of blackened death metal. This, right here, is the good stuff. Proscription landed on my radar with 2020’s Conduit, (which I could have swore I’d reviewed, but apparently not), but Desolate Divine has destroyed my expectations. Yep, I like this.. Continue reading “Proscription – Desolate Divine (Review)”
This is the second album from US death metal band Haxprocess.
Beyond What Eyes Can See contains 45 minutes of music divided into four epic songs. Haxprocess play progressive death metal, although that simple appellation doesn’t really due justice to what you’ll discover here. This record is a real beast. Continue reading “Haxprocess – Beyond What Eyes Can See (Review)”
This is the ninth album by US death metallers Drawn and Quartered.
Drawn and Quartered are a very good death metal band, with a history of strong releases. They are the kind of band that can take similar components that are used so well by acts such as Immolation and Incantation, yet manage to fuse these into something that has a personality of its own. At this point in their career Drawn and Quartered have more than shown their talent and longevity in the death metal game, so Lord of Two Horns is an eagerly anticipated release. Continue reading “Drawn and Quartered – Lord of Two Horns (Review)”
This is the fourth album from Brazilian death metallers Escarnium.
Inexorable Entropy contains 31 minutes of ferocious death metal brutality. Escarnium’s furious assault is a satisfying and enjoyable one. Continue reading “Escarnium – Inexorable Entropy (Review)”
This is the third album from US death metallers Chaos Inception.
Wow, I did not see this coming. 2012’s The Abrogation stood out with its quality, and I’ve periodically wondered over the years if we’d ever see another from Chaos Inception. I had long assumed not, but here it is – unheralded, and unexpected. Can Chaos Inception stand up to scrutiny in 2025? Continue reading “Chaos Inception – Vengeance Evangel (Review)”
This is the third album from Phrenelith, a death metal band from Denmark.
Following on from 2021’s Chimaera comes the 39-minute monstrosity Ashen Womb. This is absolutely hideous stuff, from a band that apparently just keep on improving. Phrenelith have unleashed something truly malefic here. Continue reading “Phrenelith – Ashen Womb (Review)”
Wonderbox Metal 