Following on from 2019’s enjoyable Novus Lux Dominus, Ater Ignis contains 45 minutes of Orthodoxy’s dark, occult death metal. Continue reading “Orthodoxy – Ater Ignis (Review)”
Phobophilic combine the esoteric approach of Demilich, with the malevolent nature of Morbid Angel, and the crushing heaviness of Incantation. Fans of the output of bands such as Tomb Mold, Immolation, Worm, Ossuarium, Outer Heaven, and Blood Incantation need to pay attention to this. Continue reading “Phobophilic – Enveloping Absurdity (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Godz Ov War Productions have released some good albums over the years, so now seemed as good a time as any to catch up with some of their latest output. According to the label, they are “an independent label dedicated to extreme music from the depths of the underground.”Let’s see what they’ve got… Continue reading “Label Roundup: Godz Ov War Productions – Eradicate, Toughness, & Angrrsth/Czort (Reviews)”
Effigies of Obsolescence contains 40 minutes of barbarous death metal carnage.
This is a foul, rotten, death metal monster. The band deliver a Continue reading “Chaotian – Effigies of Obsolescence (Review)”
Summoning the Catalysm features 38 minutes of professional death metal. It’s brutal and aggressive, and boasts both technical flourishes and progressive enhancements, all delivered in a lean 38 minutes, (and there’s a decent Decapitated cover too). Continue reading “Azaab – Summoning the Cataclysm (Review)”
Seven long years have passed since we last heard from Heaving Earth on 2015’s crushing Denouncing the Holy Throne. The band have finally returned with 49 minutes of new material, as well as a new line up, (including a new singer who is also in Brutally Deceased and Somniate, and session drums from the drummer of Hideous Divinity/Nero di Marte). Do they still have what it takes to pulverise and destroy with their mere presence? Continue reading “Heaving Earth – Darkness of God (Review)”
Following on from 2019’s very well-received Sacramental Death Qualia, Haunter have now returned with 32 minutes of new material. The band’s style can be termed progressive black/death metal, and Continue reading “Haunter – Discarnate Ails (Review)”
I’ve enjoyed watching Astral Tomb develop their ghastly death metal sound, from 2020’s split with Cryptic Shift, Replicant, and Inoculation, to 2021’s EP Degradation of Human Consciousness, (which I honestly thought I had reviewed, but apparently not). Soulgazer is the band’s first album, and I have been looking forward to it. Continue reading “Astral Tomb – Soulgazer (Review)”
Aeviterne contain current and ex-members of bands such as Artificial Brain, Tombs, and Pillory, and play a brutal form of death metal with experimental tendencies. Continue reading “Aeviterne – The Ailing Facade (Review)”
Immolation are one of those timeless, classic death metal acts with a sound all of their own; nobody else sounds quite like them, although many have taken influence from their otherworldly brutality. Continue reading “Immolation – Acts of God (Review)”