Parius – The Signal Heard Throughout Space (Review)

Parius - The Signal Heard Throughout SpaceThis is the third album from US progressive metal band Parius.

The Signal Heard Throughout Space is a 61-minute sci-fi “conceptual rock opera”. Blending progressive metal with technical and 70s progressive influences, the album offers a Continue reading “Parius – The Signal Heard Throughout Space (Review)”

Warforged – The Grove | Sundial (Review)

Warforged - The Grove SundialWarforged are a death metal band from the US and this is their second album.

Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”

Fallujah – Empyrean (Review)

Fallujah - EmpyreanThis is the fifth album from US death metal band Fallujah.

Following on from 2019’s Undying Light, Fallujah once again return, with a new lineup and a new 52 minutes of material. Empyrean follows on more from 2016’s Dreamless than it does Undying Light, as well as incorporating a few elements from the band’s earlier work, including some minor deathcore dynamics. Continue reading “Fallujah – Empyrean (Review)”

Carrion Vael – Abhorrent Obsessions (Review)

Carrion Vael - Abhorrent ObsessionsThis is the third album from US death metallers Carrion Vael.

Carrion Vael play a modern form of death metal, and within this they combine the technical and melodic styles into a 39-minute juggernaut of an album. Continue reading “Carrion Vael – Abhorrent Obsessions (Review)”

The Eating Cave – Ingurgitate (Review)

The Eating Cave - IngurgitateThis is the debut album from US death metallers The Eating Cave.

Taking influence from a mix of bands such as Archspire, Origin, Beneath the Massacre, The Faceless, and Infant Annihilator, The Eating Cave spend 39 minutes terrorising, battering, and demoralising the listener with the sort of punishment that is as well-delivered as it is startlingly brutal. Continue reading “The Eating Cave – Ingurgitate (Review)”

Burial in the Sky – The Consumed Self (Review)

Burial in the Sky - The Consumed SelfThis is the third album from Burial in the Sky, a death metal band from the US.

The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”

Alluvial – Sarcoma (Review)

Alluvial - SarcomaThis is the second album from Alluvial, a modern death metal band from the US.

Sarcoma contains 38 minutes of progressive death metal. Alluvial fuse their modern approach to the style with technical, progressive, and atmospheric flourishes, yet do so in a restrained song-based way. This results in songs that are atypical expressions of Continue reading “Alluvial – Sarcoma (Review)”

The Lylat Continuum – Ephemeral (Review)

The Lylat Continuum - EphemeralThe Lylat Continuum are a progressive death metal band from the US and this is their debut album.

Ephemeral is a 56-minute trip into progressive death metal waters, although the death metal influences are not always prominently displayed; the band’s modern progressive metal influences are Continue reading “The Lylat Continuum – Ephemeral (Review)”

The Scalar Process – Coagulative Matter (Review)

The Scalar Process - Coagulative MatterThe Scalar Process are a technical death metal band from France and this is their debut album.

When a band is described as for fans of Coexistence, The Zenith Passage, Beyond Creation, Necrophagist, The Faceless, Hateful, Archspire, Cynic, and Inferi, and when words such as technical, melodic, and progressive are bandied around Continue reading “The Scalar Process – Coagulative Matter (Review)”

Abiotic – Ikigai (Review)

Abiotic - IkigaiThis is the third album from US death metallers Abiotic.

Abiotic play modern death metal that takes influence from the technical and progressive strains of the style, as well as from some elements of deathcore. The promo blurb states that Ikiagi is for fans of bands such as Continue reading “Abiotic – Ikigai (Review)”