Entheos are a progressive death metal band from the US and this is their third album.
Entheos play a technical and progressive form of modern death metal. Time Will Take Us All offers 40 minutes of complexity and intricate delivery. This is then melded with the melodic strands of modern death metal as well as the Continue reading “Entheos – Time Will Take Us All (Review)”
This is the debut album from US death metal band Mithridatum.
Harrowing is a 35-minute slab of blackened dissonant death metal that contains ex-members of Abhorrent and The Faceless. Continue reading “Mithridatum – Harrowing (Review)”
Lamentations are a Singapore/US death metal band and this is their second album.
Featuring members of Tómarúm and Monotheist, Lamentations play progressive death metal, and Passion of Depression provides us with 57 minutes of exotic material to explore. Continue reading “Lamentations – Passion of Depression (Review)”
This is the third album from US progressive metal band Parius.
The Signal Heard Throughout Space is a 61-minute sci-fi “conceptual rock opera”. Blending progressive metal with technical and 70s progressive influences, the album offers a Continue reading “Parius – The Signal Heard Throughout Space (Review)”
Warforged are a death metal band from the US and this is their second album.
Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”
This is the fifth album from US death metal band Fallujah.
Following on from 2019’s Undying Light, Fallujah once again return, with a new lineup and a new 52 minutes of material. Empyrean follows on more from 2016’s Dreamless than it does Undying Light, as well as incorporating a few elements from the band’s earlier work, including some minor deathcore dynamics. Continue reading “Fallujah – Empyrean (Review)”
This is the third album from US death metallers Carrion Vael.
Carrion Vael play a modern form of death metal, and within this they combine the technical and melodic styles into a 39-minute juggernaut of an album. Continue reading “Carrion Vael – Abhorrent Obsessions (Review)”
This is the debut album from US death metallers The Eating Cave.
Taking influence from a mix of bands such as Archspire, Origin, Beneath the Massacre, The Faceless, and Infant Annihilator, The Eating Cave spend 39 minutes terrorising, battering, and demoralising the listener with the sort of punishment that is as well-delivered as it is startlingly brutal. Continue reading “The Eating Cave – Ingurgitate (Review)”
This is the third album from Burial in the Sky, a death metal band from the US.
The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”
This is the second album from Alluvial, a modern death metal band from the US.
Sarcoma contains 38 minutes of progressive death metal. Alluvial fuse their modern approach to the style with technical, progressive, and atmospheric flourishes, yet do so in a restrained song-based way. This results in songs that are atypical expressions of Continue reading “Alluvial – Sarcoma (Review)”
Wonderbox Metal 