The promo blurb states that Legend is for fans of Ultha, Wiegedood, Ash Borer, Fell Voices, Turia, Fluisteraars, Wode, Yellow Eyes, Bathory, Rotting Christ, and epic heavy metal. This is as good a place as any to start with for this record. Continue reading “Vanum – Legend (Review)”
Wow, what an unexpectedly rich source of great music January was. I honestly can’t remember a January that had so many metal releases that were this good. I’ve chosen five of the best below, and none of them are to be missed… Continue reading “Monthly Overview – the Best of January 2022”
Wiegedood are a Belgian black metal band and this is their fourth album.
Featuring current and ex-members of Living Gate, Amenra, and Oathbreaker, There’s Always Blood at the End of the Road features 44 minutes of new material. I really, really liked 2017’s De Doden Hebben Het Goed II, so I was looking forward to this new one, (apparently there was also an album after this from 2018, which I somehow managed to miss out on). As we’ll see below though, the Wiegedood of 2022 is a different beast to the one I knew. Since I last heard them Wiegedood’s sound has changed, and they have now become more extreme and more idiosyncratic. Continue reading “Wiegedood – There’s Always Blood at the End of the Road (Review)”
Featuring members of bands such as Yob, Wiegedood, and Amenra, they bombard us with 18 minutes of old-school death metal. Continue reading “Living Gate – Deathlust (Review)”
The promo blurb for this album stated that it was for fans of Deafheaven, Oathbreaker, Wolves in the Throne Room, Wiegedood, and Harakiri for the Sky, so I knew that I had to at least give it a listen. Then, having skimmed through a couple of their videos, I knew I Continue reading “Chernaa – Empyrean Fire (Review)”
It’s once more time to gather in Leeds for this year’s Damnation Festival. With another amazing lineup, this is a festival that’s a definite milestone in the yearly metal calendar.
Wiegedood play black metal that’s as brutal is it is caustically atmospheric. There’s an acerbic hatred here that powers the songs forward, while at the same time showing an awareness of dynamics and Continue reading “Wiegedood – De Doden Hebben Het Goed II (Review)”