Over the years Pyrrhon have built up a very well-respected discography, including 2014’s The Mother of Virtues and 2017’s What Passes for Survival. Now, on Abscess Time, the the band have returned with 57 minutes of music to challenge and terrify. Continue reading
2016’s Starspawn was a very notable album, making it onto my end of year list for that year too. As such, there’s been plenty of excitement and expectation for Hidden History of the Human Race. Despite only having four tracks, this new release has not disappointed at all. Continue reading
Coma Cluster Void’s debut album Mind Cemeteries was 45 minutes of dissonant, cryptic, esoteric death metal that took a few spins to fully appreciate, but when you did conquer its challenging extreme metal worldview, it yielded many rewards and treasures.
Yep, I don’t really know much about this, other than the fact that this is 20 minutes of experimental death metal that does more right than it does wrong. Continue reading
Ulsect specialise in technical/avant-garde/dissonant death metal, with heavy atmosphere and blackened aesthetics. Continue reading
This is very much not your standard death metal album.
Featuring present and past members of bands such as The Faceless, The Dillinger Escape Plan, and John Zorn, this release combines progressive, avant-garde, atmospheric, dissonant, technical, and psychedelic death metal into a darkly enjoyable whirlwind of chaos and heaviness. Continue reading
Skinless Agony starts off creeping and crawling with thunderously deep vocals erupting all over the place. Brood of Hatred have some unconventional riffs in their sound and it’s much to their credit.
The production is flawless; no problems here. Every song is given the room to move that it requires, and the instruments couldn’t be clearer, (yes, even the bass is audible).
This is intelligent, atypical Death Metal with a proclivity for interesting and inventive guitar parts. If you think of bands such as Gorguts and Ulcerate, you’ll get the idea of the creative area Brood of Hatred inhabit.
Highly accomplished; the band have created songs with depth and individuality. The playing by all of the musicians involved is exemplary and the brutality of the singer’s guttural vocals anchors the album firmly in Death Metal territory even when the instruments are off exploring other areas.
For me this has been a wonderful discovery of an excellent band – make sure you discover them too.