This is the second album from Sunless, a death metal band from the US.
2017’s Urraca was a very notable and enjoyable release for me, even making it into that year’s end of year list. Progressive, technical, dissonant, avant-garde, psychedelic, and many other high-brow-esque appellations, Urraca was a multidimensional gateway to forward-thinking heaviness from a band who clearly knew their art well. Continue reading “Sunless – Ylem (Review)”
This is the debut album from US death metallers Obsolete.
Obsolete play a technical mix of death metal with thrash elements. This is then peppered progressive, dissonant, and avant-garde influences to produce a 37-minute album that exceeds expectations. Imagine a combination of Death and Atheist, only with more Continue reading “Obsolete – Animate//Isolate (Review)”
Ad Nauseam are an avant-garde death metal band from Italy, and this is their second album.
Don’t let the death metal tag fool you, this is not your average deathly proposition. Ad Nauseam’s vision of what extreme metal should be is unorthodox and esoteric. The band play a sort of avant-garde progressive technical death metal, while also throwing in some elements of black metal, sludge, doom, Continue reading “Ad Nauseam – Imperative Imperceptible Impulse (Review)”
This is the fourth album from Pyrrhon, an extreme metal band from the US.
Over the years Pyrrhon have built up a very well-respected discography, including 2014’s The Mother of Virtues and 2017’s What Passes for Survival. Now, on Abscess Time, the the band have returned with 57 minutes of music to challenge and terrify. Continue reading “Pyrrhon – Abscess Time (Review)”
This is the second album from US death metal band Blood Incantation.
2016’s Starspawn was a very notable album, making it onto my end of year list for that year too. As such, there’s been plenty of excitement and expectation for Hidden History of the Human Race. Despite only having four tracks, this new release has not disappointed at all. Continue reading “Blood Incantation – Hidden History of the Human Race (Review)”
This is the second album from Coma Cluster Void, an experimental avant-garde metal band with an international background.
Coma Cluster Void’s debut album Mind Cemeteries was 45 minutes of dissonant, cryptic, esoteric death metal that took a few spins to fully appreciate, but when you did conquer its challenging extreme metal worldview, it yielded many rewards and treasures.
Continue reading “Coma Cluster Void – Thoughts from a Stone (Review)”
Kuujeojabenojujanomiashikushija is a one-man, (I think), experimental death metal band from the US, (I think). This is the project’s second release, (I think).
Yep, I don’t really know much about this, other than the fact that this is 20 minutes of experimental death metal that does more right than it does wrong. Continue reading “Kuujeojabenojujanomiashikushija – HHEOALLE (Review)”
Amentia are a death metal band from Belarus, and this is their third album.
This is technical/brutal death metal that features a member of the very enjoyable Disloyal. This is underground and very brutal. There is, however, more to this band initially might meet the eye. Continue reading “Amentia – Scourge (Review)”
This is the third album from this German death metal band.
Ingurgitating Oblivion’s second album Continuum of Absence was notable, enjoyable, and distinctly non-standard, offering doom-infused dissonance that was a bit different and had something extra to offer the listener. Continue reading “Ingurgitating Oblivion – Vision Wallows in Symphonies of Light (Review)”
This is the debut album from Ulsect, a death/black metal band from the Netherlands.
Ulsect specialise in technical/avant-garde/dissonant death metal, with heavy atmosphere and blackened aesthetics. Continue reading “Ulsect – Ulsect (Review)”
Wonderbox Metal 