This is the ninth album from Australian death metallers Psycroptic.
Whether it’s 2015’s Psycroptic, 2018’s As the Kingdom Drowns, or 2022’s Divine Council, Psycroptic always put out something special. The Pulse of Annihilation is no exception to this trend, as the band spend 40 minutes showing once again just why they are so highly regarded by extreme metal connoisseurs. Continue reading “Psycroptic – The Pulse of Annihilation (Review)”
Cognizance are a death metal band from the UK and this is their fourth album.
Following on from 2024’s strong Phantazein, Cognizance have now returned with the 37-minute In Light, No Shape. Once again we get treated to the band’s take on modern technical death metal, and, as usual, it’s a winner. Continue reading “Cognizance – In Light, No Shape (Review)”
Psycroptic, Ghost Bath, and Underdark were originally part of a larger event, (with a pretty damn sexy lineup), that got cancelled for reasons unknown. In its place is this very enticing show, with only these three bands surviving the cut. It was a relatively late change, with the tickets not transferring, so I was hoping that this new event would have sold enough tickets in its own right to have a decent-sized crowd for the bands. Regardless of the turnout, I’ve been looking forward to this, Psycroptic especially, as I’ve never seen them and they’re one of the best tech death bands in existence. Continue reading “Psycroptic/Ghost Bath/Underdark – Rebellion, Manchester – 02/08/25 (Live Review)”
This is the fifth album from German death metallers Cytotoxin.
2020’s Nuklearth was a very good album, so it’s great to have Cytotoxin back once more. Containing 48 minutes of new material, Biographyte offers a radioactive feast of death metal for us to savour and enjoy. It’s the band’s longest album, but fear not, Cytotoxin know what they’re doing. Continue reading “Cytotoxin – Biographyte (Review)”
This is the latest EP from Beyond Grace, a death metal band from the UK.
Beyond Grace are top tier band that shockingly few people seem to be aware of. All of their discography, (Monstrous, Seekers, Our Kingdom Undone, and Welcome to the New Dark Ages, Part 1), is worth spending time with, so it’s with high expectations that we turn to Welcome to the New Dark Ages, Part 2. Continue reading “Beyond Grace – Welcome to the New Dark Ages, Part 2 (Review)”
This is the third album from Swedish death metal band Carnosus.
2023’s very enjoyable Visions of Infinihility made a splash in the death metal pond, and now Wormtales is here to capitalise. Let’s see what Carnosus have for us this time around. Continue reading “Carnosus – Wormtales (Review)”
This is the third album from French death metallers Ad Patres.
I loved 2012’s Scorn Aesthetics, and 2019’s A Brief Introduction to Human Experiments was an enjoyable slab of death metal too. Which brings us to Unbreathable, and the 38 minutes of carnage that it unleashes. Continue reading “Ad Patres – Unbreathable (Review)”
This is the fifth album from US death metallers Cognitive.
I always enjoy a new slab of Cognitive, (check out 2016’s Deformity, 2018’s Matricide, and 2021’s Malevolent Thoughts of a Hastened Extinction), so Abhorrence is well-received. Across 36 minutes Cognitive deliver the goods. Continue reading “Cognitive – Abhorrence (Review)”
This is the latest EP from US deathgrinders Sulaco.
I’ve enjoyed following Sulaco over the years – 2011’s Build & Burn, 2018’s The Prize, and 2020’s The Privilege – so Black Cloud is most welcome here at Wonderbox Metal. Containing two songs, and with a duration of 8 minutes, there may not be much material here, but this is about quality, not quantity. Continue reading “Sulaco – Black Cloud (Review)”
This is the debut album from US death metal band Wounds.
Wounds play technical death metal and Ruin boasts 30 minutes of face-ripping material. Brought to us by a band that are clearly adept in the killing arts, Ruin is ready to blast off. Continue reading “Wounds – Ruin (Review)”
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