Although we’ve met the mysterious entity that is Barús before on 2015’s self-titled EP, I’ve only just recently been privileged enough to listen to Drowned, despite it being released in 2018. Well, I’ve missed out, and I can’t help but feel that Drowned would have graced my end of year list for 2018. Continue reading
I’ve seen Disentomb live a few times over the years, and they’ve always impressed with their energetic brutality. I have to say that The Decaying Light is not what I expected, as alongside the utter brutality I was prepared for, there’s an intricacy and depth of delivery here which caught me off guard. Continue reading
The Odious’ progressive metal is a mix of modern technical/progressive/death metal and progressive rock. The end result can be loosely characterised as a mix of The Faceless, Opeth, Between the Buried and Me, Sikth, Meshuggah, Ulcerate, and Devin Townsend. Continue reading
This is the latest release from Miserable Failure, a French grindcore band.
After the tragic death of the band’s vocalist in 2016, I never thought I’d hear from Miserable Failure again. I’m very glad to be wrong, of course. It is a huge shame, however, that I’ve only just found this out; this release actually first saw the light of day in 2017 apparently. Continue reading
This is the follow up to the very enjoyable Spiritual War Tactics, which showcased the band’s keen ability when it came to dark, dissonant black metal that also employed doom and death metal elements very well. Of this album I said Continue reading
Golgothan Remains manage to fuse old-school ancient death metal influences with a more modern streak of black/death dissonance. Thinking of a mix of Immolation, Incantation, Ulcerate, and Deathspell Omega wouldn’t be entirely inappropriate. Continue reading
This is very much not your standard death metal album.
Featuring present and past members of bands such as The Faceless, The Dillinger Escape Plan, and John Zorn, this release combines progressive, avant-garde, atmospheric, dissonant, technical, and psychedelic death metal into a darkly enjoyable whirlwind of chaos and heaviness. Continue reading
Well, if this isn’t a twisting mass of complex nastiness. Urraca is 44 minutes of progressive/technical death metal full of dissonant, experimental and avant-garde stylings. Continue reading