September had a lot of great metal releases, so it’s time to take a look at ten of my favourites ones below. Continue reading “Monthly Overview – the Best of September 2019”
Symphonic death metal shouldn’t work, and mostly doesn’t. Elegy is different, however.
Not familiar with Arallu? Make sure you definitely check out Geniewar and Six. You won’t be disappointed. Continue reading “Arallu – Desert Battles – Descending to the Sands (2018)(Review)”
Arallu are one of the best bands that you’ve probably never heard of. Every release is better than the last, with the band’s newest album Six being the best of them all in my opinion. I’m listening to it right now as I type these words, and it’s hard to express just how enjoyable and discerning it is. It’s black metal, and contains a lot of the traditional ingredients you’d expect to find in black metal, but the way it’s all cooked up and spiced with Middle Eastern themes and influences…Arallu rule, it’s that simple.
So if you’re unfamiliar with the band, have a read of the below and check out the band’s masterful new album Six.
Arallu are one of those rare, special bands that developed their own personality and style of attack very early on, and with every subsequent album they simply refine this more and more. Continue reading “Arallu – Six (Review)”
First impression – the album art is amazing.
Featuring members of Demonstealer and Albatross, Demonic Resurrection play epic blackened death metal with flair and style, influenced by Hindu mythology in both theme and sound. Continue reading “Demonic Resurrection – Dashavatar (Review)”
Despite being around for a very long time at this point, and despite having first heard of them an almost equally long time ago, this is my first actual encounter with Rudra and their so-called Vedic metal. Continue reading “Rudra – Enemy of Duality (Review)”
Even though this is the project’s first journey out into the world, the brains behind the outfit is obviously not lacking in ambition. According to the press blurb – ‘The album is intended as Continue reading “Nekhen – Entering the Gate of the Western Horizon (Review)”
Their début EP, Phaseshifting, was experimental black metal, all dark, menacing guitars and free-form malevolence.
There are two tracks on this new release, with the entire EP lasting under 10 minutes in total, and it has a different feel to it than Phaseshifting.
Up first is a track named Φόβος, and starts off with a sinister Continue reading “Strafk – Entomophobia (Review)”