This is the fourteenth album from Blut Aus Nord, a French black metal band.
A new Blut Aus Nord release is always worth paying attention to. Over the years the band have ranged through a variety of dark, blackened styles, (see some examples, here, here, here, and here), so what delights does Disharmonium – Undreamable Abysses hold? Continue reading “Blut Aus Nord – Disharmonium – Undreamable Abysses (Review)”
This is the latest EP from Lithuanian post-black metallers Au-Dessus.
After thoroughly enjoying 2017’s End of Chapter, I’m pleased to be able to hear some new material from Au-Dessus. Mend contains five tracks, with a duration of 26 minutes. Continue reading “Au-Dessus – Mend (Review)”
This is the debut album from Modern Rites, a Swiss/US black metal band.
Featuring members of Aara and Kuyashii, Monuments contains 37 minutes of modern blackened aggression that mainly exists in the melodic black metal sphere, but not exclusively. The music also borrows from the wellspring of 90s industrial music, (which can be especially felt in some of the melodies, structuring, and atmospheres), as well as some of the more brutal strains of modern black metal. Continue reading “Modern Rites – Monuments (Review)”
Remah are an international black metal band and this is their debut album.
Une Main adopts a modern approach to its black metal, one which adapts elements of the depressive, second wave, and atmospheric styles for its own nefarious use. Alongside this sit darkwave and psychedelic influences, both of which add extra depth to the band’s blackened repertoire. Continue reading “Remah – Une Main (Review)”
This is the tenth album from Swiss black metal act Borgne.
Featuring a member of Enoid and Ancient Moon, Borgne play industrial black metal, and Temps Morts contains 73 minutes of the layered darkness. Continue reading “Borgne – Temps Morts (Review)”
This is the debut EP from French black metal band Bacchus.
Bacchus feature current and ex-members of Dysylumn and Antropofago, and deliver us 29 minutes of atmospheric black metal.
This is music with an occult, ritualistic feel. It differentiates Continue reading “Bacchus – Bacchus (Review)”
This is the second album from Spanish black metallers Aversio Humanitatis.
Aversio Humanitatis play a modern brand of black metal, replete with apocalyptic atmosphere and dark death metal elements. I suppose you could loosely describe this band as a cross between Behemoth, Schammasch, Blut Aus Nord, Continue reading “Aversio Humanitatis – Behold the Silent Dwellers (Review)”
This is the thirteenth album from Blut Aus Nord, a French black metal band.
You never quite know what you’re going to be getting with a Blut Aus Nord release, and on Hallucinogen the band have mutated once again. Their latest incarnation is an avant-garde progressive black metal monster, emphasising atmosphere and feeling via engaging blackened soundscapes. Continue reading “Blut Aus Nord – Hallucinogen (Review)”
This is the fifth album from Italian doom band Nibiru.
This is occult, ritualistic doom, drawing elements of black metal, sludge, drone, noise, and psychedelia into itself and crushing it down into a super dense material that’s used to fashion the imposing tracks on Salbrox. Continue reading “Nibiru – Salbrox (Review)”
Blut Aus Nord are a black metal band, (among other things), from France. This is their twelfth album.
Blut Aus Nord are a well-known band with a well-known proclivity for experimentation and producing music that’s as unexpected/unpredictable as it is rich, dark, and textured. Continue reading “Blut Aus Nord – Deus Salutis Meæ (Review)”
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