I’m a big fan of 2018’s Impressions of the Morning Star, so this new release has been greatly anticipated by yours truly. I haven’t been disappointed. This is top tier underground esoteric blackened art. Continue reading “Entropy Created Consciousness – Antica Memoria di Dis: Acheron & Lethe (Review)”
A new Enslaved release is a thing to be celebrated, and Utgard is no different in this regard. The follow up to 2017’s E, Utgard is actually quite different in many other regards, however. Continue reading “Enslaved – Utgard (Review)”
You’ve gotta love Anaal Nathrakh. Albums like A New Kind of Horror just keep on giving, and I’d pretty much recommend anything in their discography, (also check out The Whole of the Law and Desideratum). Endarkenment is another adrenaline-filled ride into darkness and ferocity. Continue reading “Anaal Nathrakh – Endarkenment (Review)”
Do you like black metal that’s raw, sharp and full of aggression? If so, then you should check out Diktatur’s latest release.
This is a band that have a traditional, vicious sound with enough elements of Continue reading “Diktatur – L’Agonie d’un Monde (Review)”
All I knew about this band before I listened to them was that they were a black metal band of some description. As such, I was not prepared at all for what I found inside Door 218.
Here we have an album that might not sound as you expect it to upon hearing the black metal tag. Yes, a lot of the familiar elements are present and correct, but there’s a lot of unusual aspects to the music too. Continue reading “Balance Interruption – Door 218 (Review)”
Featuring members of Fatal Step, Astrum, Empyrean Asunder and the mighty Abominant, here we have 16 minutes of raw black metal with industrial/modern influences that place it somewhere between the underground and a more accessible area; not quite polished and commercial, but potentially getting there. Continue reading “The Promise of Plague – Sleepwalking into Armageddon (Review)”
This is a side project between members of Kult of Azazel and The Electric Hellfire Club, featuring guests from such bands as The Electric Hellfire Club, (again), Demonic Christ, Dark Funeral and Coven.
The Scourge is an album with a lot going on, and the band manage to Continue reading “Wolfpack 44 – The Scourge (Review)”
Dawn of Ashes play modern, professional, industrial black metal with plenty of keyboard/electronic enhancements. Kind of coming across as a mix of Dimmu Borgir, Deathstars and Neurotech, this is heavy, rhythmic and quite catchy. Continue reading “Dawn of Ashes – Theophany (Review)”
This is a release of two halves – the first five tracks are the album songs, and then the second five tracks are the album songs remixed. Side A and a Side B if you like, with Side B being longer than the first.
This is inventive and oppressive as only the best of Black Metal can be.
As extreme as this is they still know how to write songs. As warped and twisted as they are, and also know a good hook when they hear one.
The heavy effects, samples and noise conspire with the Black Metal core to create a claustrophobic and dense listening experience that coils around your brain and won’t let go until you have sworn blind fealty and obedience.
The tracks offer a bruising Industrial pounding with their blackened atmosphere, and there is a fair amount of variety on these tracks that it almost seems like different bands playing sometimes. It certainly seems like they have about five vocalists. Don’t mistake this as criticism though, this is a top release.
And all this is even before we get to Side B; the remixes.
I’m not normally a fan of remixes, as they are rarely done well, (in my experience). Here is an exception though as these reinterpretations of the originals feel like a continuance of the album and a further exploration into the dark psyche of the band, rather than being some novelty just tacked onto the end of a release, as is so often the case.
Intriguing, harsh and exciting; this is an album to keep returning to.