2017’s Angst was an enjoyable slab of emotive heaviness, and Sult follows on from this with 41 minutes of new material, a new lineup, and a change in sound. Continue reading “Kollapse – Sult (Review)”
This is a modern brand of hardcore, with elements of metalcore that can be heard, alongside a healthy rock influence. Continue reading “Among Phantoms – Memories/Catastrophes (Review)”
I don’t often get to listen to much belligerent hardcore these days, so it’s great when I cross paths with something as heavy and uncompromising as Abolitionism. Continue reading “The Noble – Abolitionism (Review)”
Ahh deathcore; much maligned and much misunderstood of sub-genres. It’s not the only one to suffer a bad reputation, of course, but it’s one of the more common ones to see people ripping apart. Usually Continue reading “Martyr Defiled – Young Gods (Review)”
Call of the Void play the kind of nasty, violent Hardcore that it’s very easy to like. Somewhat of a cross between All Pigs Must Die, early Eighteen Visions, Early Entombed and any number of Old-School Hardcore bands, this is music that is earthy and pure.
Blasting mayhem and Crust-fuelled carnage make up the bulk of the tracks here. Each song rages and tears at the world through red-tinted vision.
The vocals are non-stop shouts and screams that are perfectly adapted to their environment. They provide a formidable presence and focal point to already intimidating music.
Moments of rough melody and abrasive atmosphere do appear amongst the high-energy proceedings. These glimpses of mercy amidst the violence ensure that Call of the Void are worthy of repeat spins and are not just a throwaway one-shot band.
This is music that’s brutally honest and aggressively focused.
Very enjoyable indeed.