Immortal Bird – Thrive on Neglect (Review)

Immortal Bird - Thrive on NeglectImmortal Bird are a blackened deathgrind band from the US. This is their second album.

Finally we have the follow up to 2015’s Empress/Abscess, which was one of the more notable releases of that year for me. Ahh, it’s nice to hear the band’s atypical intensity back. It sounds better than ever too, with a well-rounded production that is fuller and warmer than in the past. Continue reading

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Monthly Overview – the Best of June 2019

Phew. After the metallic overload of the past couple of months, June was a bit calmer. Having said that, I have a great selection of releases for you to salivate over, and I still had to cut a few for the sake of brevity that are definitely worthy of inclusion. Anyway, it’s on with the show! Continue reading

Keitzer – Where the Light Ends (Review)

Keitzer - Where the Light EndsKeitzer are a German death metal/grindcore band and this is their seventh album.

Keitzer’s 2014 album The Last Defence was a particular favourite of mine, with its energetic and well-delivered deathgrind really hitting the spot. The follow up – 2016’s Ascension – was more of a death metal affair, and although I do prefer The Last Defence, it was still a solid and enjoyable record. Continue reading

Miserable Failure – Alone: The Phantom Pain – La Seule Vraie Question – Perdition Light/Never Stop the Sadness (Review)

Miserable Failure - AloneThis is the latest release from Miserable Failure, a French grindcore band.

After the tragic death of the band’s vocalist in 2016, I never thought I’d hear from Miserable Failure again. I’m very glad to be wrong, of course. It is a huge shame, however, that I’ve only just found this out; this release actually first saw the light of day in 2017 apparently. Continue reading

Deathgrave – So Real, It’s Now (Review)

DeathgraveThis is the debut album from US grindcore band Deathgrave.

Here we have a violent 27 minutes of brutal grindcore. Mixing deathgrind, powerviolence, and punk into its abrasive attack, So Real, It’s Now is impressively rabid. However, and very interestingly, there’s more here than just aggressive tendencies. Continue reading