Humanity’s Last Breath – Wonderbox Metal

Enterprise Earth – Death: An Anthology (Review)

This is the fifth album from US death metal/deathcore band Enterprise Earth.

2020’s EP Foundation of Bones was a solid introduction to the band for me, but I really enjoyed 2022’s The Chosen. Yes it was too long, but I really liked the band’s ability to combine deathcore and death metal with a range of different ideas and influences to create something above the norm for the style. Two years and a new singer later, and Enterprise Earth have returned with Death: An Anthology, which delivers 59 minutes of new material. It has not disappointed. Continue reading “Enterprise Earth – Death: An Anthology (Review)”

Blindfolded and Led to the Woods – Rejecting Obliteration (Review)

This is the fourth album from Blindfolded and Led to the Woods, a death metal band from New Zealand.

Blindfolded and Led to the Woods play a modern form of death metal that combines progressive, technical, and avant-garde elements together into a savagely impactful package. Rejecting Obliteration is 45 minutes of surprisingly rich extremity. Continue reading “Blindfolded and Led to the Woods – Rejecting Obliteration (Review)”

Grayscale Season – Do You Like Violence (Review)

Grayscale Season are a Swedish metalcore band and this is their second album.

Grayscale Season have written a hypercompetent, professional, and engaging collection of tracks on Do You Like Violence. This is metalcore with a firm eye on creativity and diversity. You’ll find thundering groove, harsh vocals, and heavy riffs, as you would expect, but there’s also a lot of other ideas, sounds, and influences here. There are post-metal and post-hardcore elements spread across the album too, further increasing its variety. Grayscale Season are certainly not what I’d call your average band. Continue reading “Grayscale Season – Do You Like Violence (Review)”

Mass Worship – Portal Tombs (Review)

This is the second album from Mass Worship, an extreme metal band from Sweden.

The Mass Worship formula for delivering a crushing metal album is one of finding the best ratio of metal, death metal and hardcore. At the Gates, Meshuggah, and Mastodon are all mentioned as influences, and these help appreciate where Mass Worship are coming from. Continue reading “Mass Worship – Portal Tombs (Review)”

Vildhjarta – Måsstaden Under Vatten (Review)

Vildhjarta are a Swedish progressive metal band and this is their second album.

Okay, buckle up and get comfortable, as this one’s a beast – there’s 80 minutes of material here, and it isn’t likely to appeal to those uninitiated in the ways of djent. Continue reading “Vildhjarta – Måsstaden Under Vatten (Review)”

Humanity’s Last Breath – Välde (Review)

This is the fourth album from Swedish death metallers Humanity’s Last Breath.

Following on from the monolithic juggernaut that was 2019’s Abyssal, Humanity’s Last Breath have pulled out all of the stops and produced their best work to date. Välde is 54 minutes of malignant modern death metal darkness. Continue reading “Humanity’s Last Breath – Välde (Review)”

Humanity’s Last Breath – Abyssal (Review)

This is the third album from Swedish death metallers Humanity’s Last Breath.

Well, Abyssal is not what I expected. Although I’d heard of Humanity’s Last Breath prior to listening to this album, for some reason I had it in my head that they were a metalcore band. No idea why. I’m also very, very wrong. What we have here is some individually-played death metal; it seems that Humanity’s Last Breath have carved out their own niche in the crowded death metal landscape, and then filled it with mechanised horror. Continue reading “Humanity’s Last Breath – Abyssal (Review)”