This is the eighth album from Redemption, a progressive metal band from the US.
Following up 2016’s The Art of Loss and 2018’s Long Night’s Journey into Day, Redemption now return with 55 minutes of new material, (71 minutes including a remix and covers of Genesis and Peter Gabriel songs), on I Am the Storm. Continue reading “Redemption – I Am the Storm (Review)”
This is the debut album from one-man Swedish death/thrash metal band.
The Fall contains 38 minutes of aggressive metal. Combining together melodic death and thrash metal into a collection of well-crafted tunes, the artist behind Reboot the System has made a good first impression. Continue reading “Reboot the System – The Fall (Review)”
This is the debut album from Danish black/death metal band Heaven’s Damnation.
Featuring current and ex-members of bands such as Dysgnostic and Udånde, Heaven’s Damnation contains 28 minutes of ferocious blackened death metal. Continue reading “Heaven’s Damnation – Heaven’s Damnation (Review)”
Necropanther are a melodic death metal band from the US and this is their fourth album.
Necropanther play concise bursts of blackened death thrash. Tight and confident, Betrayal is easy listening for people that like spiked melodic hook-laden metal. Continue reading “Necropanther – Betrayal (Review)”
Sarcoptes are a US black metal band and this is their second album.
It has been a long time since 2016’s Songs and Dances of Death, but the second Sarcoptes album is finally here. And what do we have? Something pretty damn tasty. Prayers to Oblivion is the sound of Sarcoptes taking their material to the next level in every regard; songwriting, recording, and performances, have all improved. Continue reading “Sarcoptes – Prayers to Oblivion (Review)”
This is the third album, (or their fourth, if you include 2017’s covers album), from Frozen Dawn, a Spanish black metal band.
The Decline of the Enlightened Gods is the follow up to 2014’s Those of the Cursed Light, and contains 50 minutes of melodic black metal, (which includes a Necrophobic cover). Delivering a Continue reading “Frozen Dawn – The Decline of the Enlightened Gods (Review)”
Carnosus are a Swedish death metal band and this is their second album.
Carnosus play a technical form of death metal that’s riven with melodic highlights and fitted with thrash metal prosthetics. Across 35 head-spinning minutes Visions of Infinihility blends the old-school with the new to produce a ripping journey into idiosyncratic tech death. Continue reading “Carnosus – Visions of Infinihility (Review)”
This is the second album from Siege of Power, an international death metal band.
Featuring current and ex-members of bands such as Asphyx, Autopsy, Hail of Bullets, and Soulburn, This Is Tomorrow is an experienced beast of snarling death, thrash, and classic metal. Continue reading “Siege of Power – This Is Tomorrow (Review)”
This is the debut album from Finnish grindcore band Sonic Poison.
I enjoyed Sonic Poison’s 2016 debut demo Harsh Demonstration, but missed out on the split and EP that the band released after this. It’s now time for their debut album though, and I was determined not to let this one slip by me too. Eruption is an appropriately titled 22-minute assault of vicious deathgrind. Prepare yourself for mayhem. Continue reading “Sonic Poison – Eruption (Review)”
This is the second album from Glyph, a one-man black metal band from the US.
We turn now to solo act Glyph for a 37-minute trip into a black metal underworld that’s a work of individuality and obvious passion. There’s a special sort of mysterious, esoteric magic that surrounds The Time of Peril, one that’s quite intoxicating to delve into. Continue reading “Glyph – The Time of Peril (Review)”
Wonderbox Metal 