What in the name of everloving filth do we have here then? The blurb tells me that this is a band with drums, two basses, and vocals. I do like me a bit of a bass-heavy assault, so how could I pass this up? Let’s dive in. Continue reading
Mixing classic d-beat crust with the uglier side of death metal, this is 8 minutes of pitch-black fury and aggression. Continue reading
This is old-school, classic-styled grindcore, the likes of which uses ugly clubs to bash, beat, and smash everyone and everything within hitting distance. Continue reading
There’s a bewildering array of talent and people involved in this, so I’m simply going to copy and paste the lineup from the press blurb to make things easier for myself –
France – Romain Goulon – Drums (Necrophagist, Disavowed, etc.)
Siberia – Peter Shallmin – Bass (Escapethecult, Kamlath)
Siberia – Max Konstantinov – Guitars (Kamlath, Nebesniesnami)
USA – Danny Lilker (Brutal Truth, Nuclear Assault, SOD, etc.)
Sweden – Rogga Johansson (Paganizer, Demiurg, etc.)
USA – Max Phelps (Cynic, Death DTA Tours, Exist)
UK – Dave Ingram (Hail of Bullets, Benediction, Bolt Thrower, etc.)
Australia – Karina Utomo (High Tension)
USA – Shawn Knight (Child Bite) Continue reading
Oh yeah! It’s always fun to hear a band that take a standard style and mutate it with their own passionate interpretation, and Grossty do exactly that with the short-bouts-of-violence grindcore template.
Featuring 21 tracks in just under 21 minutes, this may be short but Continue reading
First up we have Existench, with just under 7 minutes of intensity.
This is old-school grind that takes no prisoners and just wants to rampage. With punk intent and hardcore ferocity, Existench rage through these short songs with the assured confidence of a predator that knows its kill is near. Continue reading
Playing a primitive, old-school strain of grinding violence, this EP combines grind, crust, ugly thrash and Repulsion-worship into under 10 minutes of nasty carnage. There’s even a hint of Brutal Truth at their ugliest in some of the guitar riffs. Continue reading
This is ugly Grind for fans of Regurgitate, Brutal Truth and Squash Bowels. It’s fast, brutal and the epitome of savage.
Norylsk largely have an Old-School sound but they do have some modern elements and ideas here and there. This is enhanced by a heavy, modern production.
Growls, screams and something that sounds like gargled broken glass are the main forms of attack from the singer. I worry about the health of his throat.
Norylsk blast, groove and tear their way through these tracks with clinical precision and furious focus. It’s a near-unrelentingly heavy assault and the band clearly know what they’re doing.
This is Deathgrind for people who like the Old-School style delivered in a modern way. It’s an impressively brutal album but one that doesn’t become too one-dimensional thanks to good songwriting and a few non-standard ideas in places, (including clean female vocals and spoken word on Mental Selection).
For Grindcore with weight and substance, look no further.
This is a band who worship extremity and brutality above all else. Surely their motto must be “everything sicker than everything else”?
Their take on Grindcore is an interesting one because of this, as they don’t limit themselves just to their parent genre. Instead, they branch out into related areas and claim the most brutal elements as their own; Death Metal and Deathcore, being the main ones.
The songs are frequently complicated affairs that marry the short, chaotic brutality of Grind with the still-brutal, more song-structured nature of Death Metal. The end result is somewhat of a cross between Cryptopsy, Brutal Truth, Cattle Decapitation and Circle of Dead Children.
Speaking of Cryptopsy, the production on Time to Panic is not a million miles away from that of my favourite Cryptopsy album None So Vile, so you know that the sound is tight and precise.
Oh, and there’s an Agoraphobic Nosebleed cover. How ace is that?
Nervous Impulse write their songs to be heavy and extreme but still make sure they are written well rather than just a selection of strung-together riffs. It’s really quite tasty.
Vocally, we get pignoise, deathgrunts, screams; anything and everything to make the harshest noises imaginable.
If you like Extreme Metal with enough chaos and brutality to stun and enough songwriting skill to hold interest then check this out. I just can’t stop listening to the fucking thing.
This is underground, aggressive Grind that takes elements of extreme Hardcore’s hateful violence and Sludge’s nasty groove to produce eleven tracks of Grind’n’Roll that is good for what ails ya.
Deep vocals populate the songs with a throaty aggression that fits the music well. The singer has a charismatic bark that has an appropriately Southern twinge to it, adding personality to the bile.
The production is fuzzy and heavy, allowing the band to be their filthy, nasty selves without detracting from the intensity of the music.
The songs have the Southern groove of Eyehategod, the confident swagger of Brutal Truth and the pure-blooded confidence of the Southern Metal scene. Indeed anyone familiar with the hotbed of earthy Metal talent that is Louisiana will recognise the tell-tale signs of this scene in Gristnam’s sound. Yet remarkably, like all of the output from this area, Gristnam have their own personality stamped into these tracks and Even Less is definitely its own beast.
These songs will leave you breathless and I imagine would transform a live show into a heaving mass of sweaty bodies and bloody carnage. The aggressive groove and dangerous assault of Gristnam is positively designed for the live environment.
Even Less has won me over effortlessly. What’s not to like here? Fans of underground, heavy, nasty music will no doubt lap this up, as they well should.
Check them out.