Oracle of Death saw the light of day at the end of last year, and I confess that I overlooked it largely due to its cover. Not that it’s bad artwork by any means, but the bright colours didn’t inspire me to check it out. My loss. Having now had the album brough to my attention once more, Continue reading “Darkest Mind – Oracle of Death (Review)”
Described in the promo blurb as blackened melodic death metal, and noted as for fans of Arsis, Dissection, Emperor, Necrophagist, Necrophobic, Naglfar, Tribulation, Obscura, and Revocation, I confess I was hooked; I had to check out Inhumation. Continue reading “Unflesh – Inhumation (Review)”
Featuring a member of Dødheimsgard, and so many guests it’s quite remarkable, (mainly on vocals or keyboards, and from bands such as …And Oceans, Amiensus, Dødheimsgard, Finntroll, Nòtt, and Moonsorrow), a lot of talent and experience has gone into Timaeus. Continue reading “Khôra – Timaeus (Review)”
Thron play professionally-recorded black metal influenced by the second wave, with bands such as Dissection, Dimmu Borgir, Naglfar, Necrophobic, and Marduk worthy of mention as decent starting points for Abysmal. Continue reading “Thron – Abysmal (Review)”
Here we have 21 minutes of cold, venomous black metal. The promo blurb says that it’s for fans of Dissection, Naglfar, Marduk, and Satyricon, and it’s hard to disagree with that assessment. I’d also throw in a bit of A Grand Declaration of War-era Mayhem regarding some of the band’s riffs too, although this is largely a more minor aspect of their sound. Continue reading “Blood Worship – Death’s Omnipotence (Review)”
With a duration of only 28 minutes, this album goes for the throat big time. Yes, it’s time for some raw second wave black metal, and Christ Dismembered play their brand of misanthropic hatred very well. Continue reading “Christ Dismembered – Christ Dismembered (Review)”
As the follow up to 2014’s very pleasing debut album Death Metal Holocaust, Nekroregime continues the band’s blackened assault on the senses, added to and infected by some good old-fashioned death metal influences here and there. Continue reading “Omnizide – Nekroregime (Review)”
Here we have a release full of savage Black Metal with a distinct Scandinavian quality and lots of evil feelings.
Evoking the spirit of bands like Marduk, Dark Funeral and Naglfar, as well as Dimmu Borgir and a taste of Emperor; Daemonium proceed to blast and pound their way through these songs like they really mean it.
This is somewhat of a nostalgia-inducing release for me as it takes me back to the late 90s period of Black Metal. This is no bad thing really, as Имя Мне Легион is produced, performed and delivered with real passion and bile.
The singer has a great, throaty rasp that is perfect for this style of music. He’s not adverse to going deeper too and his vocals never seem too far away from the action.
This album is packed full to the brim with Blackened, frosty melodies and razorblade riffing. Subtle keybaords lurk in the background adding extra flavour and their contribution shouldn’t be discounted.
I do enjoy this style of balls-to-the-wall occult Black Metal. The feeling of malevolent brutality and otherworldly sped-up hatred is a tough one to beat. The fact that it also comes wrapped up with an extra atmospheric element, thanks to the keyboards, is just a bonus.
Although the style is an old one, Daemonium play their Black Metal with such enthusiasm that it’s hard to be dismissive; plus the fact that they genuinely seem to know what they’re doing means they have written a really enjoyable album.
I’d definitely recommend this one for your further investigations.
Boasting an album cover that’s creepy, mysterious and threatening, the same can be said of Hagl’s music.
This is Black Metal that’s shrouded in esoteric knowledge and forgotten evils.
Impenetrable vocals that somehow seem excreted rather than vocalised rasp out of the darkness that the music wears like a cloak. Indeed, it creates this darkness and wields it like a weapon.
Atmospheric enhancements and subtle sound additions allow the music to have depth as well as mystery.
Lenket til Livet is somewhat of a cross between Naglfar and Khold, if the former was slowed down and the latter had less groove and more of a Doom vibe.
Enter the world of Hagl and feel the darkness slide across you like a shroud.
Darkenhöld are from France and this is their third album.
They play Dark Black Metal with a strong melodic sensibility; this is a band who are comfortable adding a Blackened melodicism to their sound whilst retaining their core of grim fire.
This is Atmospheric Black Metal without being ostentatious or flashy. The band have a firm grasp on this side of things and although the keyboards and enhancements are an integral part of their identity they know how to control them and reign them in for full impact.
Somewhat of a cross between Dimmu Borgir and Naglfar, they join the ranks of some excellent recent Atmospheric Black Metal releases by the likes of Akrotheism, Imperial Conquest, Rauhnåcht, Unfathomed of Abyss, and others, proving that the style is alive, healthy and vibrant.
This style of Black Metal always takes me back to the mid/late 90’s and Castellum is no exception. This is a very enjoyable listen and the songs seem to roll out of the speakers with an easy flow, to be welcomed like old friends that you’re always happy to see.
Give them a listen.