Ahh, The Black Dahlia Murder, probably one of the finest melodic death metal bands in the world.
Since 2003’s Unhallowed the band have Continue reading
This is one for fans of modern aggression that mixes technical, brutal, and melodic death metal with elements of deathcore. This would be enough in its own right – but what’s this? We also get Continue reading
Benighted impressed the Hell out of me when I managed to catch them live supporting The Black Dahlia Murder, (whose singer guests on this album), so it’s with a palpable sense of excitement that I press play on Necrobreed. After a typically throwaway intro, the Continue reading
After the promise shown on 2014’s Free from the Clutches of Gods, Hybrid Sheep have now returned with another instalment of their modern death metal, and have showed some nice progress since their first opening release. Continue reading
Are you in the market for some fast, melodic, cutting death metal? Well look no further! Continue reading
This is a split release between Bent Sea and To Dust, both of which play grindcore and both of which feature a plethora of members/ex-members of bands such as Aborted, Megadeth, Soilwork, Napalm Death, (Bent Sea), and Abigail Williams, Vintage Warlords, Humanity Is Cancer, Grave Plague, Fountain of Piss, Severed Remains, The Black Dahlia Murder and Phobia, (To Dust).
Phew. As you can see, there’s a lot of experience here.
The first half of the split is provided by Bent Sea, who give us almost 10 minutes of state-of-the-art ferocity. Continue reading
Gargantua play Progressive Metal that combines some quite eclectic influences to produce a 26 minute calling card that shows off what they can do quite effectively.
To give you a flavour of their style, imagine a mix of The Meads of Asphodel, Sigh, The Black Dahlia Murder and Akercocke, among others. It’s essentially a form of melodic Death Metal with added folk, avant-garde and progressive influences, allowing the band a freedom to experiment and be playful with their influences.
The keyboard and accordion aspect of their sound is quirky and endearing. While not as completely over-the-top as some of the stuff that Sigh get up to, this part of their sound can still be demanding and attention-seeking.
The more aggressive Metal that lays the foundation of their music is tempered by their other influences so that the majority of the riffs have a lot of other stuff going on; the avant-garde and more-emotive aspects of their style are never too far away.
Thrash Metal-esque shouted growls, barely-holding-it-together screams, progressive cleans, operatic choral parts, emotive theatrics; there’s a plethora of different styles employed on Avant-Propos via four of the various band members.
A very promising first release. While not perfect, it shows a creative band willing and able to push boundaries to achieve the sound they want. With a few tweaks here and there to tighten the songwriting up, they could become quite a fearsome proposition in the future.
Check them out.