Carnosus are a Swedish death metal band and this is their second album.
Carnosus play a technical form of death metal that’s riven with melodic highlights and fitted with thrash metal prosthetics. Across 35 head-spinning minutes Visions of Infinihility blends the old-school with the new to produce a ripping journey into idiosyncratic tech death. Continue reading “Carnosus – Visions of Infinihility (Review)”
Exhumed are a death metal band from the US and this is their eighth album.
I like Exhumed a great deal, and have enjoyed seeing their sound progress, (Death Revenge), then regress, (Horror), over the years, all very enjoyably. New album To the Dead offers 39 minutes of bloodsoaked material in a somewhat similar fashion to their Continue reading “Exhumed – To the Dead (Review)”
This is the third album from US death metallers Ripped to Shreds.
Featuring current and ex-members of bands such as Azath, Disincarnation, and Spinebreaker, 劇變 (Jubian) contains 36 minutes of meaty death metal heaviness. Continue reading “Ripped to Shreds – 劇變 (Jubian) (Review)”
This is the debut album from US death metallers Autophagy.
Featuring an ex-member of Ritual Necromancy and Sempiternal Dusk, Bacteriophage contains 34 minutes of putrefying underground death metal. Continue reading “Autophagy – Bacteriophage (Review)”
This is the eighth album from Swedish blackened thrash metal band Witchery.
Witchery always tend to release an enjoyable record, (such as 2016’s In His Infernal Majesty’s Service and 2017’s I Am Legion), and their latest one continues this trend. Five years since their last album, Nightside, (which features members of bands such as The Haunted, and Lik), is a 36-minute concept album. Continue reading “Witchery – Nightside (Review)”
Undeath are a death metal band from the US and this is their second album.
I thoroughly enjoyed 2020’s Lesions of a Different Kind, so now that the band are back with 36 minutes of festering new material, I’m ready. At least, I though I was; It’s Time...to Rise from the Grave is better than I could have hoped for. Continue reading “Undeath – It’s Time...to Rise from the Grave (Review)”
This is the debut album from Cryptivore, a one-man Australian death metal band.
Across 27 minutes the artist behind Cryptivore hammers into us his vision for old-school death metal. Taking influence from early Amorphis, Carcass, and Grave, Celestial Extinction is a mix of brutal Swedish death metal, moody melodic death metal, and feral grindcore. Continue reading “Cryptivore – Celestial Extinction (Review)”
This is the seventh album from legendary UK death metallers Carcass.
Excepting their earliest goregrind days, Torn Arteries takes us on a tour of Carcass’ wide-ranging style across the decades, while simultaneously trying out a few new ideas here and there. This results in an album that manages to be both backwards looking and forwards thinking, which is no mean feat. Continue reading “Carcass – Torn Arteries (Review)”
This is the second album from US death metallers Killing Addiction.
Here comes the album I’ve been interested in hearing after 2014’s When Death Becomes Art and 2016’s Shores of Oblivion. It hasn’t disappointed. Continue reading “Killing Addiction – Mind of a New God (Review)”
Coiled Around Thy Spine are an Italian/US death metal band and this is their debut album.
Here we have some scorching melodic death metal, full of blisteringly hot leads and molten solos. In many ways the guitar is the real star of this show, and across 50 minutes of bright, energetic material, it shines brightly. Continue reading “Coiled Around Thy Spine – Shades (Review)”
Wonderbox Metal 