Playing keyboard enriched atmospheric black metal with a deep mystical side, Eoront’s latest album contains over an hour of sprawling, epic music. Continue reading
This is black metal that skilfully builds progressive, atmospheric, and post-metal elements into its construction. Continue reading
Fen combine atmospheric, progressive and post-black metal into their beguiling music. Taking the appropriate elements of each and using them to suit their own purposes, the music on Winter is expansive and full of dark vision. Continue reading
This is Black Metal with epic length songs and a windswept feel.
This is the kind of album that’s the soundtrack to exploration. It’s the Blackened equivalent of a map of uncharted territories and frost-worn mountains.
The Embers of the Stars is bitingly cold and achingly sensual in equal amounts. These songs are emotive and expressive, infused with the raw energy of nature and the passion that goes along with this.
Heartfelt guitars and subtle synths provide the rasping vocals with a rich background on which to scream out into the heavens.
This sweeping music is perfect for Black Metal that’s inspired by nature and seeks to channel it via a darkened Metal route. Each of these songs is extremely well composed and gives the feeling of really being in the raw, dangerous outdoors.
This is the kind of epic, atmospheric music that has been characterised well by the Cascadian scene, even though this is from the UK. Fans of Wolves in the Throne Room, Altar of Plagues, Agalloch, Fen, Skagos, Fauna, Wodensthrone, (who share a member), etc., will be very at home with Ahamkara. However, whereas a lot of these bands have Post-Metal qualities to their sound, Ahamkara substitute these for shades of the mighty Emperor and thus are more “pure” Black Metal than not.
Really top quality work like this should always be supported. Listen and become enthralled.