Bizarrekult are a Norwegian post-black metal band and this is their third album.
2023’s Den Tapte Krigen was a notable record, and I thoroughly enjoyed seeing the band live in 2024. Alt Som Finnes is one I’ve been looking forward to, so let’s get right to it. Across these 44 minutes, have Bizarrekult delivered the goods?
They absolutely have. Continue reading “Bizarrekult – Alt Som Finnes (Review)”
This is the fifth album from US post-black metal band Ashbringer.
Following on from 2019’s Absolution and 2023’s We Came Here to Grieve, Subglacial brings us 40 minutes of Ashbringer’s compelling approach to black metal. Let’s get this out of the way first – this Continue reading “Ashbringer – Subglacial (Review)”
This is the second album from Mexican progressive metal solo act Phendrana.
Here we have a 38-minute album that takes a lot of different influences into itself. Blackgaze, post-metal, progressive rock, avant-garde metal, folk, and post-black metal all come together with nuance and grace inside a progressive extreme metal framework that’s highly compelling. The artist behind Phendrana has made a convincing case for Cathexis being Continue reading “Phendrana – Cathexis (Review)”
MØL are a post-black metal band from Denmark and this is their third album.
With 2018’s Jord and then 2021’s Diorama, MØL have established themselves as quality purveyors of sharp, shiny post-black metal. Now, with the 44-minute Dreamcrush, they consolidate their position, offering up their most polished and well-rounded album to date. Continue reading “MØL – Dreamcrush (Review)”
This is the second album from Polish solo post-black metal band Miasme.
Keep Them at a Distance contains 43 minutes of engaging music. The artist behind Miasme convinces easily with a striking display of hybrid blackened post-metal that feels very contemporary, yet also timeless in its flavour. Continue reading “Miasme – Keep Them at a Distance (Review)”
This is the sixth album from Ellende, a solo black metal band from Austria.
Following on from 2024’s Todbringerin, Zerfall contains 52 minutes of new material. The artist behind Ellende specialises in post-black metal that uses blackgaze elements to produce emotive, mood-focused music. Continue reading “Ellende – Zerfall (Review)”
Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
This is the debut album from French post-black metallers Jours Pâles.
Jours Pâles have been a band to not miss out on ever since 2021’s delectable Éclosion. Followed swiftly in 2022 by Tensions and then again in 2024 with Dissolution. With 58 minutes of new material to captivate and entrance the listener with, Résonances is another winner from Jours Pâles. Continue reading “Jours Pâles – Résonances (Review)”
This is the second album from US solo post-black metal band Flowers of Rust.
Crude Exhibitions of the Soul contains 33 minutes of post-black metal that’s of an uncommon variety. Flowers of Rust is an act with a different voice, and it uses it to command and demoralise. Continue reading “Flowers of Rust – Crude Exhibitions of the Soul (Review)”
This is the debut album by German post-black metallers Hæresis.
Si Vis Pacem Para Bellum contains four tracks, with a duration of 41 minutes in total. Hæresis offer up a feast of foreboding hostility, and will ably reward anyone into acts such as Akhlys, Black Birch, Der Weg Einer Freiheit, Terzij de Horde, This Gift Is a Curse, Ultha, and Wiegedood. Continue reading “Hæresis – Si Vis Pacem Para Bellum (Review)”
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