Palmer play contemporary heavy music that takes in elements of metal, sludge, progressive metal, post-metal and post-hardcore into its embrace. These influences manifest in various ways throughout the album, but Continue reading
Although the band itself consists of three core members, on their debut album they’re joined by a wealth of additional musicians and vocalists, (programming, cello, saxophone, pipe, percussion, synthesizer, violin, choir), as well as guests from Minsk and Moloken. As you might imagine, this allows for a lot of scope and on It Is Not the Night That Covers You they take advantage of this to the fullest. Continue reading
Khaldera play their music as an instrumental band with plenty of atmosphere.
Weaving heavy, down-beat grooves with atmospheric doom and post-metal contemplation, this 18 minute Continue reading
I’m a big fan of Minsk’s 2009 album, With Echoes in the Movement of Stone, so have been eager to hear this latest release of theirs.
Coming from a Post-Metal view that takes in the stunning panoramas of Isis, Neurosis and Cult of Luna, Minsk were never as well-known as their contemporaries but still managed to hugely impress those lucky enough to hear them.
They have now roused themselves from their six year slumber and produced a hefty piece of work in The Crash & The Draw – 11 tracks, 75 minutes of music.
Well, there’s a lot going on here. Minsk certainly don’t lack for either ambition or talent. This is an album of moods and atmospheres. In the best Post-Metal tradition they know how to build you up and then knock you down.
Psychedelic, Progressive and heavily percussive elements work alongside the crushing guitars and expansive sense of space that the band create.
Emotionally these tracks take in pretty much everything, from the beautiful to the nightmarish, sometimes even in the same song.
The songs are varied, multi-textured and rich with evocative and emotive soundscapes. There’s a lot of depth and nuance to these compositions and it takes a good few spins to fully grasp what’s going on here in some instances.
Much like Nero Di Marte‘s latest work, The Crash & The Draw seems to build upon itself with each listen until the music acts like waves, reinforcing itself so that eventually it just drowns everything else out and you truly begin to wonder how you ever thought there was anything else.
This is truly an album of wonders and otherworldly journeys.
What’s stopping you from listening to this right now?