Featuring a member of Rotten Sound, Supernaturals contains four tracks, with a total duration of 40 minutes. The promo blurb mentions bands like Primitive Man, Jupiterian, 71TONMAN, Thou, Conan, Grief, and Warcrab, and this certainly sets the scene for the output of Morbid Evils quite well. Continue reading “Morbid Evils – Supernaturals (Review)”
I do like me some Swedish grind. Grid play merciless grindcore, with fiery blasts, punishing d-beats, and melodic crust all included in their aggressive formula. I very much liked 2017’s Human Collapse Syndrome, so I had high hopes for Livsleda, and it has not disappointed. Continue reading “Grid – Livsleda (Review)”
Here we have 32 minutes of old-school death metal mixed with elements of grind and hardcore. It’s nasty, savage, and packs a mean punch. Entombed and Napalm Death are your reference points here, along with bands like Rotten Sound, Crawl, and Lik. Continue reading “Refusal – Epitome of Void (Review)”
Rotten Sound have always managed to marry up brutally aggressive music with decent songwriting and ferocious delivery. With this in mind, this latest EP offers 12 minutes of exactly this. It’s punishingly harsh, but not without a level of songcraft that’s absent from many grind bands who just tear loose and be done with it. Continue reading “Rotten Sound – Suffer to Abuse (Review)”
Here we have 41 minutes of Scandinavian-inspired acidic grindcore, played with venom and a creative flair. Continue reading “Abjured – Absolutist (Review)”
Looking for some old-school Swedish grind, Nasum/Rotten Sound-style, with a pinch of Napalm Death? Grid have got you covered. Continue reading “Grid – Human Collapse Syndrome (Review)”
The band’s 2014 EP A Presentation of Gruesome Poetics was a brief glimpse into the world of The Drip and what they were capable of. I said in the review that the EP bodes well for a future album release and that they were ones to watch. Well, after a longer wait than Continue reading “The Drip – The Haunting Fear of Inevitability (Review)”
Well, isn’t this a delectably savage little slice of nastiness?
Straight Hate have a nicely gritty sound that sees them rip faces off with ease over these 26 minutes. The music is fast, brutal and designed to go right for the kill. Continue reading “Straight Hate – Every Scum Is a Straight Arrow (Review)”
Razoreater combine elements of Old-School Hardcore and, unexpectedly, Swedish Death Metal into their furious blend of Grindcore.
Ugly vocals with a fierce Old-School Hardcore snarl to them rage out from the tracks, angry enough to cause violent feelings just by their very presence.
The music has a dirty Swedish Death Metal feel to it that’s quite delicious, especially as it’s filthed-up Grind that’s being played. Due to this, some of the riffs also have that Swedish feel, especially when the band slow the pace and concentrate on mood and evil melodies; all of which is a great addition to the standard Grinding mayhem.
These songs are full of good riffs and decent songwriting. This is a band who play at full speed very well, but know when it’s a good idea to slow things down and try a different method of attack. 13 minutes later – faces are broken and skin has been bruised.
Interesting, very interesting. Cross Extreme Noise Terror, Entombed and Rotten Sound together and you’ll have an idea of where Razoreater are coming from.
Razoreater make an impressive din. Check them out.
I was very impressed with Haemophagus’ début album Atrocious, and on this split they continue to impress with two tracks of quality Grindcore-infused Death Metal.
Hibernated World is an Old-School Death Metal revenant that stumbles and crawls its way out of the crypt. Savagely jagged riffs and evil, underground melodies combine with a cocky swagger to create a song that is confident and assured.
The vocals are dark growls that seem like they’re spewing acid and vile warnings. This feeling continues on into the second song Monsters in the Park, where the vocals are a little deeper but no less caustic.
This second track is faster with the rotting horror of the first replaced by a two minute grinder that still can’t resist a good groove in the last part of the song. Both are very good tracks but I favour this latter one very slightly.
Subjugation are a new band for me. They offer us three tracks in total and their Deathgrind has a Swedish Death Metal edge to the guitars, mixed with the taste of an older, less-polished Rotten Sound.
The vocals are ultra-deep and rough around the edges; they’re both uncompromising and satisfying.
Monuments to Greed is their first song and it’s a decent calling card for the band. Fast but not overly so; there’s some Swedish groove here too and it hits the spot.
Trembling on Broken Glass continues the theme only with a faster approach. The Swedish feel is still here in the sound of the guitars and it lends the band an immediacy to their already in-your-face style.
The final song Under the Whip is the longest at just under 3 minutes in length and is probably the most brutal of the three. The blasting eventually changes to a mid-paced chugging assault to see out the song, and, like Haemophagus, Subjugation’s final track is probably my favourite.
This short hit of Death Metal/Grindcore is just what the mad doctor ordered and is definitely worth a few spins.