The Eating Cave – Ingurgitate (Review)

The Eating Cave - IngurgitateThis is the debut album from US death metallers The Eating Cave.

Taking influence from a mix of bands such as Archspire, Origin, Beneath the Massacre, The Faceless, and Infant Annihilator, The Eating Cave spend 39 minutes terrorising, battering, and demoralising the listener with the sort of punishment that is as well-delivered as it is startlingly brutal. Continue reading “The Eating Cave – Ingurgitate (Review)”

Soreption – Jord (Review)

Soreption - JordSoreption are a Swedish death metal band and this is their fourth album.

I thoroughly enjoyed 2014’s Engineering the Void, so Jord was high on my list of albums to check out. Clocking in at a lean 31 minutes Jord doesn’t mess around. Rarely have the gods of technical groove found such a fitting outlet as Soreption. Continue reading “Soreption – Jord (Review)”

Monthly Overview – the Best of October 2021

October was an absolutely stacked month for great albums! It was very hard to choose just a handful below. There were so many high quality releases and I know whatever I ended up choosing I’d miss some out that deserved to be highlighted, so I’ve just gone with whatever felt right in the moment – if  had to do this list again, I’m sure there would be some changes. Having said that, all of the below are superlative albums. Continue reading “Monthly Overview – the Best of October 2021”

Archspire – Bleed the Future (Review)

Archspire - Bleed the FutureThis is the fourth album from Canadian technical death metallers Archspire.

Greatly anticipated after 2017’s highly regarded Relentless Mutation, Bleed the Future is another ferocious slab of unstoppable tech death mastery. Archspire spend 32 minutes showing the world very precisely why they are considered by many to be top of the technical death metal pile. Continue reading “Archspire – Bleed the Future (Review)”

Vulvodynia – Praenuntius Infiniti (Review)

Vulvodynia - Praenuntius InfinitiThis is the fourth album from South African death metallers Vulvodynia.

After 2016’s Psychosadistic Design and 2019’s Mob Rules, it’s great to once more be exposed to Vulvodynia’s brand of deathcore-laced brutal slamming death metal. There’s a whopping 57-minutes of violent content on Praenuntius Infiniti. Although I was initially concerned about this, as that length is a bit of a push for this sort of punishing material, it turns out that the band have done their best to make good use of the time. Continue reading “Vulvodynia – Praenuntius Infiniti (Review)”

The Scalar Process – Coagulative Matter (Review)

The Scalar Process - Coagulative MatterThe Scalar Process are a technical death metal band from France and this is their debut album.

When a band is described as for fans of Coexistence, The Zenith Passage, Beyond Creation, Necrophagist, The Faceless, Hateful, Archspire, Cynic, and Inferi, and when words such as technical, melodic, and progressive are bandied around Continue reading “The Scalar Process – Coagulative Matter (Review)”

Abiotic – Ikigai (Review)

Abiotic - IkigaiThis is the third album from US death metallers Abiotic.

Abiotic play modern death metal that takes influence from the technical and progressive strains of the style, as well as from some elements of deathcore. The promo blurb states that Ikiagi is for fans of bands such as Continue reading “Abiotic – Ikigai (Review)”

Cytotoxin – Nuklearth (Review)

Cytotoxin - NuklearthCytotoxin are a German death metal band and this is their fourth album.

This is my first encounter with nuclear disaster-themed death metallers Cytotoxin, and it’s an extremely satisfying one. Across 44 minutes of material, the band demonstrate that they’re very capable purveyors of technical brutality. Imagine a mix of Aborted, Archspire, Omophagia, and The Faceless and you’ll be on the right lines. Continue reading “Cytotoxin – Nuklearth (Review)”

Exocrine – Maelstrom (Review)

Exocrine - MaelstromThis is the fourth album from French death metallers Exocrine.

Here we have a 42-minute blast of technical death metal. Modern in style and feel, with various progressive and melodic elements, Maelstrom makes a good impression. A very, very good impression. Repeated spins only cements this. I enjoyed 2018’s Molten Giant, but this is superior. Continue reading “Exocrine – Maelstrom (Review)”