Sometimes all you need is death metal. Sometimes, brutal chaos and insane extremity is all that it takes to get you through the day. This debut album is one such release that hits the spot perfectly; 33 minutes of what can only be described as previously – brutal chaos. Continue reading
If insane technicality is your thing, but you also want your songs to be recognisable as such, then you should definitely check out the latest scorcher from Archspire. Continue reading
Mouldered play violent, gruesome, brutal death metal. It’s uncompromising and ugly, just as you would want from this kind of thing. Continue reading
Carnal Decay play brutal death metal that wastes no time establishing barbaric dominance. The music is ugly, heavy and nicely savage. Continue reading
This album features not one, but two ex-Cryptopsy singers. You heard that right. To be fair, one of them, (Lord Worm), is only a guest vocalist on a couple of tracks, but still. The other, (Mike DiSalvo), is only one half of the vocal attack, the other half being provided by Continue reading
Abnormality’s 2012 début album Contaminating the Hive Mind was a standout slab of unrelenting brutality, really placing them highly in the extreme Metal hierarchy in my mind.
Well, it’s been four long years, but now Continue reading
Playing savage Death Metal that has elements of the brutal and technical styles, this is a modern approach to the genre that injects a bit of Deathcore and slam into the mix to further increase the violence factor.
Canada seems to be very good when it comes to this kind of thing. Fellow Canadian Death Metallers such as Cryptopsy, Deformatory, Pronostic, Antlion and Unbreakable Hatred to name but a few have all released some top quality music in the not too distant past and we can now add Corprophemia to that list as well.
The singer has a fine set of lungs it seems, with his clipped barks reeking of aggression. His is a very satisfying voice and perfectly complements the precise and exacting nature of the music.
So what of the music? It’s well-played, well-written and well-recorded. This pretty much covers all of the bases and all that remains is for this to be played at full volume to annoy the neighbours.
The band use crushing rhythmic riffs well and mainly sound like a combination of the dynamics and technicality of Cryptopsy, the staccato brutality of Beneath the Massacre and the sheer violence and cold assault of Coprocephalic. Add some snippets of cut-short melody here and there and brief ambient synth interludes between tracks and you have a very compelling 30 minutes.
Manipulation play muscular Modern Death Metal with plenty of attack and some interesting twists to the standard formula.
Blast beats and chugging mid-paced carnage are the order of the day, but the band also throw in some unexpected atmospheric moments throughout, via the inclusion of melodic guitars, subtle keyboards, choral-like cleans, etc.
Add to this experimentalism some ultra-modern riffs and Deathcore influences and you have 44 minutes of engaging Extreme Metal, the likes of which Poland always seems to do so well.
The songs are well-written and, as mentioned previously, Manipulation aren’t afraid to experiment or try new things, which is great to hear. This edge of Progressive Metal is buried within their core sound, but really does add to their delivery. When these elements mix with blasting extremity or heavy grooves it all comes together very nicely indeed.
The vocalist has a passionate and dynamic growl that fits the music well, giving them the Death Metal anchoring they need as well as enough variety to move beyond this and into more emphatic territories.
Energetic brutality with a playful spin on the genre; this is really, really impressive.
Making a strong opening statement of intent with their album cover, Carnivorous Voracity proceed to deliver almost exactly what you might expect over these 36 minutes.
It’s very hard for me to dislike Death Metal like this. It’s savage and nasty, but with enough songwriting savvy to make sure that the music doesn’t become too one-dimensional. This is an important point, as a lot of bands of this ilk are essentially one-trick ponies, no matter how enjoyable.
With The impious Doctrine the band have ensured that there are enough elements of a few different types of ugly brutality included to keep things fresh and interesting. Brutal Death Metal forms the core of the release, but there’s sprinklings of Classic, Modern, Slam and Technical Death Metal thrown into the blender. It all makes for a very satisfying album.
The songs hit the mark, they really do. Although not a band who are primarily about hooks and catchiness, there’s a surprising amount of good hooks on here regardless, and overall this is a very strong album.
The recording is solid and everything sounds slick and professional. The blasting drums and face-smashing riffs are in-your-face, tight and focused.
The vocalist veers between lethal growls and ugly pigsqueals; being very proficient in both he never puts a foot wrong in his delivery.
Yes, this is a very, very nice release. TIME FOR FULL VOLUME CARNAGE!
The Death Metal veterans return with 17 minutes of brutality, and ohh what brutality it is!
Cryptopsy’s impressively nuanced take on Brutal/Technical Death Metal has inspired legions of copycats and imitators, but there’s nothing like returning to the source to find that they still have what it takes to blow most of their now-peers out of the water.
Their Death Metal blueprint may have helped to lay the foundation for Modern Death Metal, so it’s no surprise to hear elements of this and even a splash of Deathcore on occasion, all liberally sprinkled throughout the hostile chaos.
These songs have a sparkling, deviant energy to them. Whether it be powerful blasting or choppy, grooving riff-monstering, (it’s a thing…), the band devastate with ease.
The sound is crisp, nasty and clear. I’ve always loved how Cryptopsy have used the bass in their songs and on this EP it makes its presence felt in no uncertain terms.
Their singer has an incredibly impressive voice. Their original singer had some pretty massive boots to fill, and their current vocalist is definitely heir to this particular throne. His voice is a raw, guttural, shrieking, screaming, growling delight. Much variety and range, much aggression and burning venom, much greatness.
This EP is an essential listen as far as I’m concerned.