Ephemeris offers a 56-minute journey into darkness. Spreading itself across a range of styles and genres, including post-black metal, dark ambient, noise, doom, jazz, and industrial, the album is a multifaceted collection of apocalyptic soundscapes brought to vibrant life by a talented act. Continue reading “Misanthur – Ephemeris (Review)”
As follow up to 2108’s mighty slab of malefic horror that was Cinerous Incarnate, (and Wound Empire and Tomb of Feathers before it), Abominion is Abstracter’s latest assault on the light. Continue reading “Abstracter – Abominion (Review)”
This is the fifth album from US grindcore band Full of Hell.
Full of Hell have always impressed. Both 2017’s Trumpeting Ecstasy and 2019’s Weeping Choir did exactly that, and now they have returned with 21 minutes of new material. So, what dark delights does Garden of Burning Apparitions bring us? Continue reading “Full of Hell – Garden of Burning Apparitions (Review)”
Each of the three tracks on this 49-minute album is a hideous, heaving monstrosity of grim blackened sludge and malevolent drone doom. It’s deeply nasty stuff, yet not without redeeming features. Continue reading “Lunar Ark – Recurring Nightmare (Review)”
Thecodontion are an italian blackened death metal band, and Vessel of Iniquity is a solo UK black metal act.
Thecodontion present us with two songs lasting 12 minutes in total. Continue reading “Thecodontion/Vessel of Iniquity – The Permian-Triassic Extinction Event – Split (Review)”
This is an album that offers the listener twelve portraits of extremity and harsh soundscapes. It contains 39 minutes of horror, so if you can stomach the band’s violent darkness for that long, then this is for you. Continue reading “Sermon of Flames – I Have Seen the Light, and It Was Repulsive (Review)”
This is the latest EP from French sludge doom band Cult of Occult.
Ruin contains a single 22-minute eponymous track; a nightmarish monster of prodigious proportions. Not only that, but there’s also a bonus track in the form of a remix of the title track, which itself lasts 19 minutes. Overall, this release boasts 41 minutes of anguished blackened sludge doom. It’s nasty, but it’s also damn good. Continue reading “Cult of Occult – Ruin (Review)”
Witch Coven is a collaboration between Swiss post-black/doom metallers Rorcal, and Earthflesh, a noise incarnation of Rorcal’s ex-bassist.
This collaboration has birthed two immense tracks with a duration of 30 minutes in total. Combining Continue reading “Rorcal & Earthflesh – Witch Coven (Review)”
Across this album the artist behind Sow Discord fuses industrial and noise influences into a doom-fuelled 45 minutes of dark apocalyptic atmospherics. He does this very capably, with a keen ear for texture and malevolent mood. He’s Continue reading “Sow Discord – Quiet Earth (Review)”