Rorcal are a Swiss blackened post-metal band and this is their fifth album.
Rorcal are an ever-shifting beast, producing a wealth of material over their career spanning doom, drone, post-metal, and black metal. After the furious blackened assault of κρέων (Creon), Muladona is a different proposition. Continue reading
Lord Mantis are from the US and play Blackened Sludge Metal. This is their fourth album.
2014’s Death Mask was a tortured nightmare of evil sludge, pretty much as foul as the style gets. Five years later the band have returned, infecting the world with 44 minutes of new material that’s as virulent and as nasty as ever. Continue reading
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their various splits demonstrate this amply. Continue reading
Culted are an international blackened doom band and this is their latest EP.
I really enjoyed 2014’s Oblique to All Paths, and have been waiting for a new Culted release ever since. Well, now it’s here in the shape of this 27-minute EP. Boasting three tracks, Vespertina Synaxis: A Prayer for Union & Emptiness is a sinister exploration of Culted’s world. Continue reading
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading
LINGUA IGNOTA is a one woman experimental artist, and this is her latest album.
Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading
This is the fourth album from US grinders Full of Hell.
The noise-enhanced grinding extremity of Full of Hell returns, and with Weeping Choir we get a further 25 minutes of abrasive nastiness and inventive grindcore intensity. Continue reading
Nyss are a French black metal band and this is their second album.
Nyss’s 2017 debut album Princesse Terre (Three Studies of Silence and Death) was an atmospheric and raw slice of blackened art that struck a chord with me, and I’ve returned to it many times since. Continue reading
This is the fifth album from Italian doom band Nibiru.
This is occult, ritualistic doom, drawing elements of black metal, sludge, drone, noise, and psychedelia into itself and crushing it down into a super dense material that’s used to fashion the imposing tracks on Salbrox. Continue reading
Sloth Hammer are an experimental sludge/doom band from the UK. This is their second album.
No guitars, two vocalists, two electronicists, (is that a word?), two drummers, and plenty of bass, Sloth Hammer bring the pain on their second album across a colossal and punishing 78 minutes, recorded live and improvised. Continue reading
