Alias contains 31 as of modern metalcore spliced with elements of electronica and ambience. Continue reading “Sleep Waker – Alias (Review)”
This is the latest EP from Ukrainian post-black metallers White Ward.
Released to commemorate record label Debemur Morti‘s 200th release, this new EP contains two tracks, with a total duration of 17 minutes. Continue reading “White Ward – Debemur Morti (Review)”
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Frozen Bloom is a 59-minute exploration of loss and mournful intensity. The band’s post-blackened brew is concocted from the bones of atmospheric black metal, blackgaze’s warmth of emotion, dark ambience, and synth-driven drone. Continue reading “Olhava – Frozen Bloom (Review)”
After enjoying 2015’s Rebellion and 2018’s Escape, when Johannes appeared I knew I had to sample its dark wares. Armed with a new lineup formed around the band’s core artist, Johannes is a 51-minute journey into thoughtful mood-driven darkness.
These new songs are layered explorations of post-blackened detail and nuanced soundscapes. The music is multifaceted and textured, drawing in a range of influences to build on the band’s black metal foundations. The five songs on Johannes are each masters of their own creation, while still fitting into the whole, and provide the listener with a creative and rich landscape to explore.
Each song boasts a lot of content, with a wealth of good ideas and enriching sounds ably showcased by the band. There’s an epic streak to Decline of the I’s music, more apparent than ever in their latest work. Sometimes it’s hidden in plain sight, while at others it ascends to malevolent prominence. Either way, a certain amount of majestic grandeur is ever-present in the music, and it works very well indeed.
The band’s ability to blend sharp aggression with menacing atmosphere is very effective. I really like the use of guitars on this release. Some of of the riffs and blackened rhythms feel like they cut to the core, and combined with the skilful and inventive use of melodies, contribute to the thoroughly enjoyable and satisfying musical experience that these five songs offer. Lighter moments appear, balancing the blackened heaviness of the distorted sections. Existing somewhere between post-rock, jazz, and experimental atmospheric ambient minimalism, these parts may not be too common, but they add value to the songs.
Piercing screams are joined by darker growls and choral accents. The singers all do a great job, and, like the music, the vocals are very accomplished.
Despite how much I enjoyed both Rebellion and Escape, I think that Johannes is probably Decline of the I’s richest, most complete and well-realised work to date.
Very highly recommended.
This is the sixth album from Australian one-man black metal act Midnight Odyssey.
The second part in a trilogy, (the first part being 2019’s exceptional Biolume Part 1 – In Tartarean Chains), Biolume Part 2 – The Golden Orb contains a massive 102 minutes of material.
Ephemeral is a 56-minute trip into progressive death metal waters, although the death metal influences are not always prominently displayed; the band’s modern progressive metal influences are Continue reading “The Lylat Continuum – Ephemeral (Review)”
Don’t let the death metal tag fool you, this is not your average deathly proposition. Ad Nauseam’s vision of what extreme metal should be is unorthodox and esoteric. The band play a sort of avant-garde progressive technical death metal, while also throwing in some elements of black metal, sludge, doom, Continue reading “Ad Nauseam – Imperative Imperceptible Impulse (Review)”
The Ruins of Beverast’s music is an intriguing and exotic combination of atmospheric black and doom metal. Okay, so what’s so exotic about it, you might ask? Well, it’s the artist’s sublime ability to combine lesser-heard influences, (an occasional touch of Continue reading “The Ruins of Beverast – The Thule Grimoires (Review)”
Paul Sadler is apparently the vocalist/guitarist of UK progressive metallers Spires; unfortunately I’m unfamiliar with this band, so I can’t comment on how similar Paul’s material is to his main outfit. What I can comment on, however, Continue reading “Paul Sadler – Soon to Be Absorbed (Review)”