KYOTY, (or Keep Your Opinions to Yourself), are an instrumental act that have an atmospheric approach to music, taking in styles such as post-metal, post-rock, and sludge, combined with an industrial edge. Gathering together nine songs that were released over the 2020 isolation period, along with a new track exclusive to the album, this is a 70-minute work of rich evocative soundscapes. Continue reading “KYOTY – Isolation (Review)”
The UK’s Damnation Festival has once again rolled around, and it’s time for all good music fans to get themselves to Leeds and bask in the amazing lineup that the festival gods always seem to be able to pull together. As you can see from the above poster, this year boasted some great talent.
The running times I’ll post below, so you can get an idea of how the day ran. The festival was once again sold out this year, and really felt it. Continue reading “Damnation Festival – Leeds University, 03/11/18 (Live Review)”
Birth of the Monolith’s post-metal ingredient list contains generous dollops of doom and sludge, alongside a decent helping of black metal. Think a mix of Cult of Luna, Celeste, Rosetta, and Downfall of Gaia. Continue reading “Birth of the Monolith – Birth of the Monolith (Review)”
Featuring members and ex-members of In Mourning and October Tide, Ildlaante is 54 minutes of heavy, engaging, textured music. Continue reading “Antarktis – Ildlaante (Review)”
Eryn Non Dae are a difficult band to pigeon-hole in some ways. I’m going to go with Progressive Metal, (simply because that covers a multitude of sins), but there are also elements of Sludge, Post-Metal, Doom, Ambient, etc. on this artful album.
As a useful reference point think a band like Tool at their most expansive, only make it heavier and add harsher vocals. Prog gone Sludge? Or Post-Metal with the emphasis on the Metal? Tool crossed with Year Of No Light and Rosetta? Maybe.
A sprawling multi-faceted album that requires a guide to fully map out the terrain explored; there is both depth and breadth here, providing the listener with a complete aural experience.
Meliora is darkly atmospheric and bleakly absorbing. The songs have light and shade and never suffer from losing interest. One of the wonderful things about Eryn Non Dae is that they know how to create these various emotions and moods without following the usual Post-Metal template; although there is a good amount of variety on this album it is essentially all centred around aggression and heaviness. This being true, the fact that they have created such landscapes of hardened sound is very telling of their talented nature.
The songs are heavily involving and speak to the listener in private terms, whispering secrets that are hidden in plain sight, wrapped in an enigma of monolithic guitars and towering vocals.
This is an excellent album that I can’t believe has only just come to my attention. Released in 2012 that’s two entire years it has been missing from my life! Definitely a keeper and in it for the long haul. Get this while you can as it will make your life better.
I’m a big fan of this so-called post-rock/post-metal genre. There seems to be no end of talented bands with great ideas out there. Rosetta are one such band. They have existed for quite long (relatively speaking) but have never quite reached the same level of recognition as their peers, (Isis, Cult of Luna, Neurosis, etc.), despite being of equal pedigree.
I have enjoyed all of Rosetta’s albums over the years but I have to say this is a strong contender for their best. Compared to a lot of ‘normal’ bands the songs may still seem quite long, but for this genre they are a bit shorter than normal – indeed on this album Rosetta appear to be tighter and more concise than in the past, much to their benefit.
The sound on this album is perfect; everything sounds crisp, clear and the drums hit like earthquakes. Nothing sounds sterile or dry though, and the sound is the absolute right one for the album to come across like a living, breathing force of nature. The songs are full of feeling and atmosphere, with plenty of great melodies and ideas.
If you haven’t heard Rosetta before then you should get this album. If you have heard them before then why haven’t you already got this album?