Yurodivy are a post-hardcore band from France. This is their debut album.
Taking the nasty, abrasive blueprint of violent hardcore, Yurodivy proceed to craft this into their own image over these 42 minutes.
The music is worthy of the Continue reading “Yurodivy – Aphos (Review)”
Palmer are a post-metal band from Switzerland and this is their third album.
Palmer play contemporary heavy music that takes in elements of metal, sludge, progressive metal, post-metal and post-hardcore into its embrace. These influences manifest in various ways throughout the album, but Continue reading “Palmer – Surrounding the Void (Review)”
Riviẽre are a progressive metal band from France and this is their debut album.
This is an intriguing blend of styles that uses progressive metal as a base to launch forays into post-rock, post-hardcore and alternative metal.
As you may be able to ascertain from Continue reading “Riviẽre – Heal (Review)”
Dreamarcher are a metal band from Norway and this is their debut album.
What do you get if you take jazz-trained musicians and get them to unleash mayhem via emotive post-whatever distortion and passionate delivery? You get Dreamarcher. Their eponymous debut is Continue reading “Dreamarcher – Dreamarcher (Review)”
Forlet Sires are a Swiss post-black metal band. This is their debut album.
Using black metal as a base for their dark explorations, Forlet Sires create heavy and atmospheric music that contains aspects of post-hardcore and doom in their sound.
Forlet Sires deal in raw blackened atmosphere. Continue reading “Forlet Sires – Journey Towards Ruin (Review)”
This is the latest EP from US post-metal band A Province of Thay.
According to the promo blurb – “This album is an amazing blend of doom and goth rock that takes the melodies of The Cure and combines them with heavy metal, into a unique whole.” Now, I don’t always put a Continue reading “A Province of Thay – Atonement (Review)”
Great Reversals are a US hardcore band and this is their debut album.
After an impressively striking EP, Natural Burial, I was pleased that Great Reversals had returned with their first full-length.
Great Reversals play heavyweight hardcore that has a distinct 90s feel. This is blended with a touch of metal and a few post-hardcore elements here and there. Continue reading “Great Reversals – Mere Mortals (Review)”
Remote are a French hardcore band and this is their second album.
You’ve gotta love dark, violent music that creates oppressive, negative atmospheres. Yes? Oh come on, of course you do.
Combing chaotic hardcore, crushing sludge, dark metal and inventive post-hardcore, Remote present us with 33 minutes of angst-ridden darkness that aims to cause damage. Continue reading “Remote – Resilient (Review)”
This is the début album from this Swiss post-hardcore/sludge band.
There are only two tracks on this release, but lasting 39 minutes in total there’s more than enough content to keep people happy. Although, as we’ll see, happiness might not be the best term used in conjunction with the music on here.
So what do we have here, then? Rue des Cascades play music that combines ambient/post-rock quietness with louder post-hardcore/sludge sections. This is quite atypically done, though, and isn’t a case of simply juxtaposing clean/distorted or Continue reading “Rue des Cascades – Odes to Love, Flames to Paris (Review)”
Sunwølf are a Scottish Post-Metal band and this is their fourth album.
Sunwølf play Post-Metal that takes elements of Doom, Stoner and Post-Hardcore into the mix.
This reminds me of UK Doomsters Palehorse if they were mixed in with Earth and wrapped up in the Post-Metal trappings of someone like Red Sparowes.
Slow, mournful guitar parts crawl along the frost-battered ruins of long-dead mountains while Post-Metal melodies effortlessly gleam resplendently under the uncaring sun.
These tracks paint pictures of dangerous-yet-beautiful landscapes that form a rich and textured release, laced with sorrow and despondency. The songs have a raw, emotive edge to them that’s hard to deny and even on just the first listen you find yourself getting drawn into them. Subsequent spins reveal additional features to catch the attention and the heart.
Vocals are sparse and uncommon; when they do appear they are used well, as required by the song. This includes screams that are tinged with anguish and pain, occasionally taking on a cleaner hue to give vent to a more plaintive side, as well as spoken word sections and chants that are almost buried under the music.
This is a very engaging release that has a lot of content to enjoy over the 51 minute playing time. This is an album that deserves a lot of exposure, although I doubt it will get it, which is criminal.
Highly recommended. Check this out immediately.
Wonderbox Metal 