Let There Be Nothing is a 60-minute concept album, one that’s epic on scope and ambition. Will this be 2020’s best power metal release? Well, it’s certainly the best one I’ve heard so far, for whatever that’s worth. Continue reading “Judicator – Let There Be Nothing (Review)”
Orphaned Land play music that’s inspired and influenced by Middle Eastern melodies and ideas. These elements are skilfully woven into the band’s progressive metal in natural, effortless ways, resulting in characterful and Continue reading “Orphaned Land – Unsung Prophets & Dead Messiahs (Review)”
I really enjoyed 2015’s Apocalyptic Promenade, so now that Savage Gods is ready to be unleashed, I’m very happy to reacquaint myself with their work. Continue reading “Sonic Prophecy – Savage Gods (Review)”
This is power metal influenced by Arthurian legend, and the band certainly do this side of their sound justice by incorporating many medieval themes, sounds, and melodies into their songs. They’ve clearly immersed themselves in this aspect of their music, rather Continue reading “Isle of Avalon – Of Tulgey Wood and the Table Rounde (Review)”
This is the first EP from this new band, although as there’s over 30 minutes of material here, it’s actually longer than some albums. Continue reading “I, the Betrayer – 7 (Review)”
Burning Shadows made a lasting impression on me with their 2012 release Gather, Darkness!, which demonstrated a band that had a strong sound, good tunes, and a very capable singer; all essential components for power metal success. Continue reading “Burning Shadows – Truth in Legend (Review)”
2015’s Dark Matter was an enjoyable slab of metal, in which Distant Sun, (featuring members of Shadow Host and Starsoup), showed the world what they had to offer. Continue reading “Distant Sun – Into the Nebula (Review)”
This is Power Metal played in the European style with a nice influence from US Thrash/Speed Metal felt throughout.
The vocals are a little grittier than most European-influenced bands and this falls in line with the Thrash influence. The singer does have a good voice though and is reminiscent of the singer of Metallica in some ways, but thankfully not overly so.
The band are comfortable playing chuggy, Thrashy riffs as well as more stirring, melodic ones. Overall the album is quite riff-heavy and the guitars have a nice bite to them.
Distant Sun’s style is kind of late-90s, combining the Power, Heavy and Thrash Metal styles of the time into a kind of Blind Guardian/Testament/Iced Earth/Annihilator melting pot. Add to this a bit of an 80s Thrash influence too and you have Dark Matter.
The songs are a good combination of these styles and frequently result in tracks that are both high-octane and catchy.
I firmly recommend this and suggest you check them out.
Sonic Prophecy play Heavy/Power Metal with grand ambitions and enough rocking riffs to fell a house. Think a mixture of Iron Maiden, Iced Earth, Manowar, Blind Guardian, etc.
The songs are rousing and catchy. Galloping guitars and upbeat drums mean Apocalyptic Promenade is powered forward at a good pace and there is enough variety and interest throughout to stop the listener from becoming bored.
The songs concentrate on good structure and composition rather than being concerned with technicality or speed purely for the sake of it.
The musicianship is polished and tight with plenty of leads and solos included. Keyboards work well with the guitars to create the themes and atmospheres that the band employ. The Heavy Metal component of their sound stops the Power Metal from becoming too ostentatious but that doesn’t mean they lack creative flair or passion.
The singer knows how to carry a good tune and has the ability to back this up. To my ears he reminds of the Queensrÿche singer with a bit of Iron Maiden mixed in.
Sonic Prophecy have released an impressive and ambitious 73 minute album chock full of Power/Heavy Metal goodness. Highly recommended.