This is the third album from black metal band Klamm.
Misanthropocene is an interesting and engaging album that offers the listener a modern and layered interpretation of black metal. The style is rooted in the atmospheric one, but also takes in elements of the melodic, avant-garde, and post-black Continue reading “Klamm – Misanthropocene (Review)”
Alastor are a Swedish doom metal band and this is their second album.
Onwards and Downwards contains 46 minutes of old-school music that sits somewhere between doom metal and psychedelic hard rock. Continue reading “Alastor – Onwards and Downwards (Review)”
Witchseeker are a heavy/speed metal band from Singapore and this is their second album.
Just look at that album cover! How Metal is that? It sets the scene nicely, so prepare yourself for Scene of the Wild‘s 38 minutes of glorious true heavy metal. Continue reading “Witchseeker – Scene of the Wild (Review)”
This is the third album from Splendidula, a doom/sludge metal band from Belgium.
There are a few different ingredients that go into the Splendidula sound. Traditional doom metal is an obvious one. This provides for the creation of a firm underpinning bedrock for the songs to be created around, one which allows emotion and Continue reading “Splendidula – Somnus (Review)”
This is the fourth album from the US heavy metal band Spirit Adrift.
Up to this point, each Spirit Adrift album has been better and more developed than its predecessor. From 2016’s Chained to Oblivion, to 2017’s Curse of Conception, and then last year’s Divided by Darkness, this prolific Continue reading “Spirit Adrift – Enlightened in Eternity (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
This is the second album from Lithuanian doom metallers Hellhookah.
2015’s Endless Serpents was a good start to the Hellhookah tale, and now, five years later, we have the next chapter. The Curse gives us eight new tracks and 38 minutes of material to enjoy. Continue reading “Hellhookah – The Curse (Review)”
This is the third album from US black metallers Feral Light.
Feral Light play a mix of black metal and post-metal, with touches of doom and hard rock. Life Vapor offers up 39 minutes of easily-digested blackness. Continue reading “Feral Light – Life Vapor (Review)”
This is the tenth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
2015’s Hurt Yourself and the Ones You Love and 2017’s We Owe You Nothing are both favourites of mine, so it’s great to have some new work from Forgotten Tomb, especially something as well-wrought as Nihilistic Estrangement. Continue reading “Forgotten Tomb – Nihilistic Estrangement (Review)”
Testament are a legendary thrash metal band from the US. This is their 12th studio album, (13th if you count First Strike Still Deadly).
The follow up to 2016’s Brotherhood of the Snake, Titans of Creation treats us to 59 minutes of quality metal to thrash along to. Continue reading “Testament – Titans of Creation (Review)”
