This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading
This is the second album from Lithuanian doom metallers Hellhookah.
2015’s Endless Serpents was a good start to the Hellhookah tale, and now, five years later, we have the next chapter. The Curse gives us eight new tracks and 38 minutes of material to enjoy. Continue reading
This is the third album from US black metallers Feral Light.
Feral Light play a mix of black metal and post-metal, with touches of doom and hard rock. Life Vapor offers up 39 minutes of easily-digested blackness. Continue reading
This is the tenth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
2015’s Hurt Yourself and the Ones You Love and 2017’s We Owe You Nothing are both favourites of mine, so it’s great to have some new work from Forgotten Tomb, especially something as well-wrought as Nihilistic Estrangement. Continue reading
Testament are a legendary thrash metal band from the US. This is their 12th studio album, (13th if you count First Strike Still Deadly).
The follow up to 2016’s Brotherhood of the Snake, Titans of Creation treats us to 59 minutes of quality metal to thrash along to. Continue reading
Burning Witches are a heavy metal band from Switzerland and this is their third album.
2018’s Hexenhammer was an enjoyable slab of traditional heavy metal, and now the band are back with a new album, and a new singer. Continue reading
This is the fifth album from The Night Flight Orchestra, a Swedish hard rock band.
I loved Amber Galactic and Sometimes the World Ain’t Enough, and now I love Aeromantic. It’s quite simple really; The Night Flight Orchestra have never released a bad album, and just seem to be getting better and better over time, growing into themselves with increasing confidence. Continue reading
This is the debut album from one-man Swedish doom metal band Blissful Stream.
It seems like an age since Blissful Stream first appeared in 2016 with Ascending Demons, which impressed with its lo-fi rocky take on doom metal. The next two years saw a release every year, (Devil’s Night to All Souls – Split with Lightsabres, and Dead Religious), and then a quiet 2019. This was apparently due to the artist building up to his fist full length, which we are now lucky enough to have in 2020. Continue reading
This is the debut album from US metallers Ghastly Sound.
Having really enjoyed both Ghastly Sound and The Bottom, I’ve been looking forward to Have a Nice Day. It has not disappointed, quite the opposite in fact. Continue reading
Beastwars are a sludge/stoner metal band from New Zealand and this is their fourth album.
The return of Beastwars is to be celebrated, and what better way than to embrace 38 minutes of new, riff-worshipping, hard rocking metal tunes? Continue reading
