Sunflo’er are a hardcore band from the US and this is their third album.
On All These Darlings and Now Me Sunflo’er combine mathcore and post-hardcore into a harsh-yet-catchy 27 minutes. Continue reading “Sunflo’er – All These Darlings and Now Me (Review)”
This is the twelfth album from Soilwork, a veteran Swedish metal band.
After really enjoying 2019’s Verkligheten, it’s a pleasure to hear some new Soilwork material. Övergivenheten continues with the ever-satisfying Soilwork sound, yet evolves it at the same time. Rich melodies, soaring choruses, and strong songwriting lurk around every corner, as they always do, but on this occasion the focus is slightly different. Continue reading “Soilwork – Övergivenheten (Review)”
This is the second album from Battering Ram, a Swedish hard rock/metal band.
Battering Ram play a combination of old-school hard rock and classic heavy metal that is then wrapped up in a modern delivery. Second to None is 36-minutes of raw fun and polished talent. Continue reading “Battering Ram – Second to None (Review)”
This is the seventh album from US heavy metal band Haunt.
It’s always a pleasure to hear new material from this highly prolific act, (check out Mind Freeze as a great example), and Windows of Your Heart brings us 41 minutes of hard rocking heavy metal action. Continue reading “Haunt – Windows of Your Heart (Review)”
This is the debut album from Sarayasign, a rock band from Sweden.
Occasionally you stumble, blindly, across an album that is a real gem. Throne of Gold is exactly one such release. Sarayasign’s rock style may have fallen out of fashion some time ago, but that doesn’t change the fact that what they have produced here is a damn good album. Continue reading “Sarayasign – Throne of Gold (Review)”
Blue Heron are a heavy rock band from the US and this is their debut album.
I quite enjoyed Blue Heron’s brief two-track debut EP that they released last year, so when Ephemeral appeared I thought I’d take the time to see how they were coming along. In fact, Black Blood of the Earth from that release makes a reappearance on Ephemeral. Continue reading “Blue Heron – Ephemeral (Review)”
This is the second album from Italian stoner rock band Slowtorch.
The Machine Has Failed contains 37 minutes of hard rocking stoner rock fun. Tailor-made for fans of bands like Clutch, Corrosion of Conformity, and Orange Goblin, the album has riffs, hooks, and good tunes aplenty. Continue reading “Slowtorch – The Machine Has Failed (Review)”
This is the sixth album from Alunah, a doom metal band from the UK.
Both 2017’s Solennial and 2019’s Violet Hour were solid examples of Alunah’s art, and Strange Machine carries 42 minutes of new tunes to enjoy. At this point in their career Alunah know how to play this sort of music; a Sabbathian mix of doom, hard rock, and stoner that’s based around good songs and a strong singer. What can go wrong with a formula like this? Continue reading “Alunah – Strange Machine (Review)”
JIRM, (previously known as Jeremy Irons and the Ratgang Malibus), are a Swedish hard rock band and this is their fifth album.
Following on from 2018’s Surge ex Monumentis, JIRM’s new offering contains 52 minutes of hard rocking atmosphere and progressive wanderings. Continue reading “JIRM – The Tunnel, the Well, Holy Bedlam (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Have you heard of Dying Victims Productions? They deal mostly with traditional heavy metal, and the label is home to a number of great bands and great albums, (Witchseeker are just one such example). The below three releases all see the light of day on January 28th 2022, so I thought it’s a great to catch up with some of the label’s latest output. Continue reading “Label Roundup: Dying Victims Productions – Tension, Tangent, & Vicious Knights (Reviews)”
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