Eugenic Death – Under the Knife (Review)

Eugenic Death - Under the KnifeEugenic Death are a thrash metal band from the US and this is their second album.

Here we have 40 minutes of uncompromising old-school thrash metal. Prepare to bang your head furiously. Continue reading

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Burning Witches – Hexenhammer – (Review)

Burning Witches - HexenhammerHexenhammer are a heavy metal band from Switzerland and this is their second album.

Featuring a member of Ursinne, here we have 48 minutes of old-school heavy metal spiced up with elements of speed/thrash and power metal here and there. Continue reading

The Shape – The World Away (Review)

The ShapeThe Shape are a US metal band and this is their fourth album.

Mixing modern metal, metalcore, thrash metal, nu-metal, and groove metal into their sound, this is an enjoyable romp through a landscape that sees many different complementary influences touched upon. Continue reading

Alkira – Klotho (Review)

AlkiraAlkira are a thrash metal band from Australia and this is their second album.

You may recall Alkira from their 2014 debut album Juggernaut. This was a very enjoyable slab of aggressive thrash metal that I especially enjoyed as it seemed at the time that so much of thrash was doing the retro/ironic/humour/whatever version of the style, which is largely not for me; Alkira were, (and are), somewhat of a panacea for this. Continue reading

Testament – Brotherhood of the Snake (Review)

TestamentTestament are a legendary thrash metal band from the US. This is their 11th studio album, (12th if you count First Strike Still Deadly).

With the bigger bands in the metal scene it’s easy to say something like “and here’s a band that need no introduction”, but I feel this really is true of Testament. Where would you start? After decades of service to the Metal Gods they’re Continue reading

Systemhouse33 – Regression (Review)

Systemhouse33Systemhouse33 are a Metal band from India. This is their latest album.

Their previous release Depths of Despair was an enjoyable, albeit brief, romp through all things heavy and modern, and Regression continues the theme but ups the stakes.

At a slightly longer 30 minutes in length, the band have further refined their blend of modern Metal and Metalcore/Hardcore/Death Metal influences into a potent blend of muscular aggression.

The singer has a harsh snarl that fits well with the music and doesn’t allow for any compromise. He plainly means business and I like what he’s selling.

The songs chug, rumble and bludgeon their way through the playing time and there’s a decent amount of catchy riffs and heavy melodies involved.

Although I liked Depths of Despair this is an all-round more cohesive, focused and superior release; perfect for when you want some heavy, crushing, upbeat, groove-based music. Without too much extremity, but also without going the other way into commercial, sanitised waters, Systemhouse33 have hit the right spot and Regression is actually a positive move forward.

For fans of Lamb of God, Meshuggah, Whitechapel, Skinlab, Machine Head, Testament, Merauder, etc.