Formed by musicians with a lot of experience in the metal arena, they have given us 53 minutes of infectious and well-delivered power metal. Continue reading
Confident and mature Power Metal floods the speakers when you play this album. It’s the product of absolute veterans who know their genre and know their roles. Even more importantly, however, they also know how to write good songs.
This is the kind of Power Metal that’s distinctly European in flavour and is powered by upbeat drums and high vocals provided by Michael Kiske of Helloween/etc. fame, no less. Also featuring other past members of bands such as Helloween, Gamma Ray, Pink Cream 69 and Krokus; you can see the calibre of the people involved in this project.
The vocals, as would be expected, are typically professional and flawlessly delivered. The choruses soar. The musicianship, also as would be expected, is tight and proficient. The sound is professional and slick, and nothing is left to chance.
For the most part the songs are in the 5 minute mark, with each track feeling like an epic-in-miniature. These are rocking, catchy tunes with highly memorable sections and hooks aplenty. In their competent hands, even the dreaded “power ballads”, (Blood, You and I), are handled well.
This is an album of greater depth than some might credit it with; on first listen it’s obviously highly accomplished and very good, but the more you listen the more the melodies seep into your consciousness and the more you want to listen to it. It’s downright addictive! The vocals in particular are deceptive. Michael Kiske is known for his exceptional voice of course, and Light of Dawn is no different, but the impressive thing is that there’s no showboating or ostentation with his voice; his talent is born from simply being a great singer and having a voice that flows smoothly like the finest wine.
Light of Dawn is an exemplar of the European Power Metal style. There are no surprises here but if you’re a fan of European Power Metal then there’s a wealth of treasure contained in this album.
This is a band destined to do well.
This won’t win any awards for innovation but it is highly melodic and highly infectious; the band can play, write songs and have a singer who can actually sing. What more is there to say?
Also; solos. Always important to note.
I enjoyed this album, especially as the band throw in a few more modern touches and riffs, (in To Hell and Back for example), thus showing they’re not completely bound to the rule book laid down by the likes of Helloween and Judas Priest.
With the double bass flying, the guitar licks licking (?) and the vocalist singing his heart out it’s hard not to smile and get carried away by their enthusiasm.
A very good début album, and with some small refinements to their songwriting the next one could be great. If you like Speed-influenced Power Metal this is recommended.