Featuring current and ex-members of bands such as The Dillinger Escape Plan, Child Bite, and The Black Dahlia Murder, this is 19 minutes of nasty grindcore mixed with elements of chaotic hardcore and jagged metal. Continue reading
I have been looking forward to hearing some more material from this band ever since 2014’s self-titled EP was unleashed. It seems like it’s been a long wait, and it has, I suppose.
Has it been worth it? Simply stated; yes it has. At least, if you’re a glutton for aural punishment. Continue reading
The press blurb describes Red as being influenced by bands like Norma Jean, The Chariot, and Every Time I Die, and I can see that; this is of that same breed of chaotic, barbed metal/hard/noise/mathcore. If you like those aforementioned bands, then you should get on very well with Toothless. Continue reading
Playing music that’s intricate and full of lethal promise, this is 39 minutes of focused violence and barely restrained aggression. The songs on this album are full of intensity and harshness, but in a controlled and directed manner. Continue reading
2015’s Dialing up the Clutter was an enjoyable, if brief, introduction to Chronoboros’ jagged, angular sound, and now they’re back with their first full length; 34 minutes of harsh noise and deliberate contrariness. Continue reading
Featuring members and ex-members of bands such as Faith No More and Slayer, there’s immediately a certain level of expectation with this, and it certainly doesn’t disappoint. Continue reading
Described in the press blurb as a mix of deathgrind and mathcore, Mūto is pretty much exactly that. It’s good stuff. Very good stuff, in fact. Continue reading
Yep, I don’t really know much about this, other than the fact that this is 20 minutes of experimental death metal that does more right than it does wrong. Continue reading
I love The Summoned’s past work, so now that we finally have a new album from them, it’s great to hear. Continue reading
This is very much not your standard death metal album.
Featuring present and past members of bands such as The Faceless, The Dillinger Escape Plan, and John Zorn, this release combines progressive, avant-garde, atmospheric, dissonant, technical, and psychedelic death metal into a darkly enjoyable whirlwind of chaos and heaviness. Continue reading