Godeater – All Flesh Is Grass (Review)

Godeater - All Flesh Is Grass

Godeater are a death metal band from the UK and this is their debut album.

This is a raging, angry slab of ferocious modern death metal. It blends modern technicality with significant atmosphere and a melodic sensibility that results in brutally effective songs that stick in the mind like barbed thorns. Continue reading

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Murder Made God – Endless Return (Review)

Murder Made God - Endless ReturnThis is the third album from Greek death metallers Murder Made God.

Here we have 40 minutes of modern death metal, providing a sound that’s meaty and professional. Well-delivered and well-written, Endless Return is an album that impresses on first exposure, but definitely Continue reading

Dyscarnate – With All Their Might (Review)

DyscarnateDyscarnate are a UK death metal band and this is their third album.

Dyscarnate play heavy, modern, aggressive death metal. With All Their Might in general can probably be described in a cursory fashion as a mix of Deicide, Job for a Cowboy, Kataklysm, and Decapitated, although this is only a starting point and there’s a lot more to this album than this might lead you to believe. Continue reading

Red Dawn – Algorithm of Destruction (Review)

Red DawnThis is the début album of these French death metallers.

This is modern technical death metal that will easily find fans in people who like bands such as The Faceless, Gorod, Decapitated, Aborted, Wormed, First Fragment, etc.

Algorithm of Destruction has a clean, precise sound that Continue reading

Neter – Idols (Review)

NeterNeter are a Spanish Death Metal band and this is their second album.

This is well-recorded and precise Death Metal that mainly shies away from the faster, more brutal end of the spectrum and instead concentrates on rhythmic execution and melodic accompaniment.

This isn’t to say that the band don’t know how to knock out a blast beat when they need to, (there are plenty of these), it’s just that this isn’t their only or even main mode of assault.

Sharing aspects of bands such as Bolt Thrower and Morbid Angel, Neter combine this with elements of the Polish scene like Decapitated and Vader. As such, Idols covers quite a bit of ground, all in a solid, proficient manner.

The rolling double bass and pulsating guitars are clipped and efficient, lending a vitality and instant-appeal to the music. The guitars knock out riffs with ease and these roll out of the speakers in a very ear-friendly fashion. Solos and leads are done well and add to the songs.

The singer seems more than qualified for his position and growls his heart out alongside the pummelling drums and undulating guitars.

The entire album sounds familiar enough to be instantly appealing, yet not too similar to the band’s Death Metal heroes that it becomes off-putting or derivative.

Idols is competent Death Metal played professionally. Check it out.