Y-Incision open the split with 10 minutes of material – 6 songs, one of which is a Treasonist cover. Continue reading
Featuring current and ex-members of bands such as The Dillinger Escape Plan, Child Bite, and The Black Dahlia Murder, this is 19 minutes of nasty grindcore mixed with elements of chaotic hardcore and jagged metal. Continue reading
At the heart of Pig Destroyer lies a visceral, hateful rage that’s hard to deny. Although I’m sure that will never change, how this rage is expressed can, and on the band’s latest album, has. Continue reading
Containing members and ex-members of bands such as Pig Destroyer, Decrepit Birth, Cattle Decapitation, Down, Pantera, Misery Index, and many, many others, before you even listen to this you know that a lot of experience has gone into it. Continue reading
Here we have over 40 minutes of well-written deathgrind. The band take the brief, energetic bursts of punk and grindcore, and entwine them with the staying power of death metal, making for an album that exists on both worlds. Continue reading
Call of the Void operate from a mixture of hardcore, grind and sludge metal influences. This sees them taking all three, rolling them into a dense, dangerous ball and then throwing it as hard as they can at anyone close by.
It’s always good to hear the band. Continue reading
This is a split release between Bent Sea and To Dust, both of which play grindcore and both of which feature a plethora of members/ex-members of bands such as Aborted, Megadeth, Soilwork, Napalm Death, (Bent Sea), and Abigail Williams, Vintage Warlords, Humanity Is Cancer, Grave Plague, Fountain of Piss, Severed Remains, The Black Dahlia Murder and Phobia, (To Dust).
Phew. As you can see, there’s a lot of experience here.
The first half of the split is provided by Bent Sea, who give us almost 10 minutes of state-of-the-art ferocity. Continue reading
This is sophisticated-yet-ugly Grindcore that’s added to and fleshed out by Brutal Death Metal elements, resulting in savage Deathgrind the likes of which will be too extreme for most.
The songs combine rhythmic, pulsing mayhem with blasting carnage and insane guitar torture. There actually is occasional melody involved in their assault too, albeit of a twisted, warped variety.
There’s a lot going on in these songs as the band chug, Grind, blast, groove and rip their way through the 29 minutes on this album with vicious glee and crazed enthusiasm. It’s all about the brutality, but with a surprisingly varied attack. The point is, Barrows are a multi-dimensional band with many different facets to their offensive rather than just playing ferociously fast.
The vocals are a fierce collection of grunts, screams and pig-noises that are enough to scare away all but the most hardened of Extreme Metal fans. The singer’s performance is not to be faulted and he frequently sounds like about 100 maniacs all at the same time, which is no mean feat.
Sort of like a cross between Cattle Decapitation, Pig Destroyer and Circle of Dead Children; Barrows have produced quite a stunner of an album, which is up there with the latest Maruta release as a prime example of quality Deathgrind.
Essential listening for all fans of Grindcore extremity.
Boasting a strong sound, Organ Dealer have come to smash! This is brutal music that’s bound to appeal to fans of extremity and destruction everywhere.
A fast, focused assault of tasty Grind is given further backbone by a Death Metal base and a heart of pure ferocity.
The songs are well written and paced, which might sound an odd thing to say of break-neck Grindcore but this isn’t a pure blast-frenzy; Organ Dealer know the value of a good riff and are not afraid to use it for maximum effect. When the mayhem slows down they’re just as devastating as when they’re going all out.
I like an album like this that essentially compresses Modern Death Metal into a tight ball of rage, clips the songs to about 1-2 minutes in length and then pours hot, scalding Grindcore on top of everything. I mean, what’s not to like here? It’s fast, ferocious and brutal, all with a modern veneer and enough musical talent to make it stand out.
The vocals are scathing screams that will leave you breathless. Deeper deathgrunts are also used and the impression is very much one of intensity and extremity. I can only imagine Organ Dealer would be quite a spectacle live if they can reproduce this faithfully.
Visceral Infection has the timeless dynamics of Nasum and Napam Death and the modern brutality of Maruta and Pig Destroyer. As such, it’s a damn fine listen.
Tune in and Grind out.
This is one I’ve been looking forward to. Maruta play ferocious and ultra-modern Deathgrind with plenty of violence and brutality.
There are some top quality guest vocalists on this album, (At the Gates, Pig Destroyer), but that is merely the icing on the vocal cake, as the grunts and screams that populate these seventeen tracks are more than competent enough to hold their own.
The songs are short and nasty. There’s lots of blast beats and chaotic drumming going on while the guitars rage and tear through the playing time.
Strange and atypical riffs share space with more traditional Death Metal grooves and there’s a touch of The Dillinger Escape Plan’s unorthodox take on brutality on this release, as well as a feeling of Crowpath’s equally unorthodox style.
There’s a little here for all Extreme Metal fans. However, mashed up together like this it ends up being a formidable proposition for those not fully inducted into the league of Deathgrind. For paid-up members though, Remain Dystopian is a twisted, nasty joy to experience.
Deathgrind for the modern connoisseur.