Perversity – Infamy Divine (Review)

PerversityPerversity come from Slovakia and treat us to a 17 minute EP of solid Death Metal.

This is straight-ahead brutality which does occasionally slow the pace, showing good use of tempos to create good songs that are distinguished and enjoyable.

Essentially underground Death Metal with elements of the Florida scene; these songs do what they are supposed to and do it well. There’s even some piano at the end of Angel of Prostitution and in the EP outro Infamous, showing that they’re not afraid of adding something a bit extra now and again.

I particularly enjoyed many of the guitar riffs and leads on this EP, which give the songs a bit of character. More than that these are memorable songs; not quite catchy, but rather they stick in the brain and are readily recognisable. No mean feat for a lot of Death Metal and Perversity are to be commended for their songwriting skills.

The vocals are nice and deep but still intelligible in places; they sound good against the backdrop of the music.

The production has a nice organic feel to it which allows the songs to be themselves and encourages the bass to be heard alongside the guitars.

If you are into Death Metal then this is well worth a listen. It’s only short but I found it very welcome. Death Metal played well with good songs – what more can you ask for?

Favourite Track: Incest of Flesh. Full of great guitar riffs and melodies, and some lovely bass work. Really good stuff.

Advertisements

Amon – Liar in Wait (Review)

AmonAs many of you will know; Amon started out life in 1987 and eventually morphed into Deicide. Now, a mere 25+ years later, we have their début album!

If you are familiar with Deicide then you know the general style here, but that doesn’t make it any less enjoyable. Among Us is the first track and sets the scene perfectly; muscular, rhythmic Death Metal with a strong sound and some excellent riffs and leads. I wasn’t sure how good this release would be, but this song instantly set my mind to rest. The remaining tracks follow this trend.

It’s clear that the passion and intensity that Eric and Brian Hoffman have for Death Metal is alive and well. This is not diluted or pasteurised in anyway – this is the real deal. What we get is riff/song-focused Metal that is effortless in its delivery and flawless in execution.

Being a very guitar-oriented album there are solos aplenty. Anyone who has been following my reviews for a while now may have noticed that I’m partial to the odd solo, so you can imagine how much I enjoy this.

The recording and general sound of this album is first-rate, as you would expect. The guitar tone is enough to bring me out in fits of excitement alone as it’s just so damn sexy, and the blazing solos on top of it is like listening to liquid gold.

It’s not all about the guitars of course, vital as they are. The drums are blasted out with passion and technique, and the vocalist is, quite frankly, excellent.

With Deicide being such a high-profile band I can imagine Amon causing a split in opinion between those that love the consistency of a familiar sound done extremely well, and between those who were hoping for something different and are disappointed. I am firmly of the former camp and I just can’t stop listening to this.