Vahrzaw are an Australian black metal band and this is their fifth album.
Having enjoyed 2014’s Twin Suns & Wolves’ Tongues, 2018’s Husk, and 2021’s The Trembling Voices of Conquered Men, I was always going to have to check out the new Vahrzaw album. Continue reading “Vahrzaw – In the Shallows of a Starlit Lake (Review)”
Raum Kingdom are a sludge/post-metal band from Ireland and this is their second album.
I haven’t caught up with Raum Kingdom since their self-titled 2014 debut EP, so I thought it was overdue that I revisited their work. Monarch contains 43 minutes of sludgy post-metal, and reveals a band that are confident and capable in their chosen genre. Continue reading “Raum Kingdom – Monarch (Review)”
Suasion are a Belgian modern metal band this is their second album.
Suasion’s music is a modern brand of metal that has electronic, ambient, and orchestral enhancements, alongside influences from metalcore, alternative metal, progressive rock, djent, pop, and industrial. A lot has gone into the making of The Infinite, and the band’s ambition is well-realised. Continue reading “Suasion – The Infinite (Review)”
This is the second album from Glyph, a one-man black metal band from the US.
We turn now to solo act Glyph for a 37-minute trip into a black metal underworld that’s a work of individuality and obvious passion. There’s a special sort of mysterious, esoteric magic that surrounds The Time of Peril, one that’s quite intoxicating to delve into. Continue reading “Glyph – The Time of Peril (Review)”
This is the fifth album from US metal band Oozing Wound.
Following on from 2019’s High Anxiety, We Cater to Cowards contains 41 minutes of new material. However, this is not the same band we encountered on High Anxiety. Continue reading “Oozing Wound – We Cater to Cowards (Review)”
Mask of Prospero are a modern metal band from Greece and this is their second album.
Hiraeth provides a 41-minute contemporary blend of progressive metal, djent, and metalcore. Continue reading “Mask of Prospero – Hiraeth (Review)”
Anachronism are a death metal band from Switzerland and this is their third album.
Meanders combines elements of the dissonant, progressive, and technical styles into a 33-minute behemoth of brutal exploratory soundscapes. If you’re a fan of bands such as Gorguts, Ulcerate, Artificial Brain, and Ad Nauseam, then this is for you. Continue reading “Anachronism – Meanders (Review)”
This is the debut album from Australian death metallers Hormagaunt.
Although In the Flesh quietly oozed into life at the end of 2022 I couldn’t resist its mouldy charms, so here we are. Get ready for a 31-minute trip into the foulest and nastiest death metal swamps. Continue reading “Hormagaunt – In the Flesh (Review)”
Neutraliser are a drone project from the UK and this is their debut album.
Featuring a member of 11Paranoias and Bong, Capsule Bowed Space is a single 79-minute track of experimental drone soundscapes. Continue reading “Neutraliser – Capsule Bowed Space (Review)”
Twilight Force are a power metal band from Sweden and this is their fourth album.
I enjoyed how gloriously over the top 2019’s Dawn of the Dragonstar was, so it’s great to hear some new material from Twilight Force. Bursting at the seams with 45 minutes of epic symphonic power metal, At the Heart of Wintervale delivers an ostentatious and lavish fantasy tale. Continue reading “Twilight Force – At the Heart of Wintervale (Review)”
Wonderbox Metal 