This is the debut album from Canadian experimental metal band Vvon Dogma I.
The Kvlt of Glitch contains 45 minutes of modern music that combines aspects of progressive, technical, avant-garde, industrial, and nu-metal. Elements of djent, electronica, ambient, and orchestral sounds enrich the music too, making for a very textured, unusual, and multifaceted release. Continue reading “Vvon Dogma I – The Kvlt of Glitch (Review)”
This is the second album from UK progressive metal band Sermon.
Of Golden Verse is a 49-minute tour de force of engaging progressive metal. Sermon’s new album immediately grabs your attention with its vibrant, feeling-focused personality, and holds it throughout the running time by the sheer quality and richness of its material. Continue reading “Sermon – Of Golden Verse (Review)”
This is the second album from US extreme metal band Kardashev.
Kardashev have an unusual sound that consists of a mixture of shoegaze and deathcore, to which elements of black, progressive, atmospheric, and post-metal have been added. This is then all rolled into an atypical contemporary package that lasts 60 minutes. Post-deathcore, maybe? Either that, or deathgaze, as the band style themselves.
This is the second album from US one-man post-metal band Breaths.
Here we have 35 minutes of music that’s described as a mix of post-metal, black metal, doom metal, shoegaze, post-rock, progressive metal, and post-hardcore, and recommended for bands such as Alcest, Deftones, Deafheaven, and Sleep Token. Believe it or not, this wide mix of genres actually makes sense within the context of the bands mentioned, so a picture can start to form of what the Breaths sound is like before you encounter the artist’s emotive metal. Continue reading “Breaths – Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt (Review)”
Wonderbox Metal 