Clawing – Labour (Review)

Clawing - LabourThis is the latest album from US drone/noise band Clawing

I like Clawing. I mean, in the way that I like getting my eyes scratched out. This is a deeply unpleasant band producing deeply unpleasant music. As I’m sure I’ve stated previously, this is not normally my kind of thing. Noise/drone Continue reading

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Entropia – Vacuum (Review)

Entropia - VacuumThis is the third album from Entropia, a Polish experimental/post-black metal band.

I am extremely fond of Entropia. Both Vesper and Ufonaut have had much rotation on my playlists, so when I saw they had a new album released I was quite excited. Continue reading

Anaal Nathrakh – A New Kind of Horror (Review)

Anaal NathrakhAnaal Nathrakh are a UK black metal band and this is their tenth album.

Ever since their early days Anaal Nathrakh have carved out a unique identity for themselves in the extreme metal landscape. Albums like Desideratum and The Whole of the Law both showcased well the Continue reading

KEN Mode – Loved (Review)

KEN ModeKEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.

Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading

Gnaw Their Tongues & Crowhurst – Burning Ad Infinitum: A Collaboration (Review)

Gnaw Their Tongues & CrowhurstGnaw Their Tongues and Crowhurst are both one man projects. The former is from the Netherlands and the latter is from the US. Both specialise in experimental/black metal music, and they have collaborated for this release. Continue reading

The Body – I Have Fought Against It, but I Can’t Any Longer (Review)

The BodyThis is the fifth album from US experimental sludge band The Body.

After 2016’s monstrous No One Deserves Happiness, and their sterling collaboration with Full of Hell, we now have another 50 minutes of harsh sounds that merge industrial, noise, sludge, doom, and electronics together into a captivating whole. Continue reading