Misanthur – Ephemeris (Review)

Misanthur - EphemerisThis is the debut album from Polish black metallers Misanthur.

Ephemeris offers a 56-minute journey into darkness. Spreading itself across a range of styles and genres, including post-black metal, dark ambient, noise, doom, jazz, and industrial, the album is a multifaceted collection of apocalyptic soundscapes brought to vibrant life by a talented act. Continue reading “Misanthur – Ephemeris (Review)”

Carnifex – Graveside Confessions (Review)

Carnifex - Graveside ConfessionsThis is the eighth album from Carnifex, a blackened death metal/deathcore band from the US.

Both 2016’s Slow Death and 2019’s World War X were great albums that I thoroughly enjoyed when I first listened to them, but that I only grew to love even more over time.

On Graveside Confessions Carnifex deliver a much Continue reading “Carnifex – Graveside Confessions (Review)”

Sermon of Flames – I Have Seen the Light, and It Was Repulsive (Review)

Sermon of Flames - I Have Seen the Light, and It Was RepulsiveThis is the debut album from Sermon of Flames, an Irish blackened death metal band.

This is an album that offers the listener twelve portraits of extremity and harsh soundscapes. It contains 39 minutes of horror, so if you can stomach the band’s violent darkness for that long, then this is for you. Continue reading “Sermon of Flames – I Have Seen the Light, and It Was Repulsive (Review)”

Sol Kia – Zos Ethos (Review)

Sol Kia - Zos EthosThis is the debut album from Sol Kia, a Belgian experimental black metal band.

Zos Ethos features a member of Neptunian Maximalism, and contains 45 minutes of experimental psychedelic black metal. Continue reading “Sol Kia – Zos Ethos (Review)”

Modern Rites – Monuments (Review)

Modern Rites - MonumentsThis is the debut album from Modern Rites, a Swiss/US black metal band.

Featuring members of Aara and Kuyashii, Monuments contains 37 minutes of modern blackened aggression that mainly exists in the melodic black metal sphere, but not exclusively. The music also borrows from the wellspring of 90s industrial music, (which can be especially felt in some of the melodies, structuring, and atmospheres), as well as some of the more brutal strains of modern black metal. Continue reading “Modern Rites – Monuments (Review)”

Crown – The End of All Things (Review)

Crown - The End of All ThingsThis is the third album from French industrial band Crown.

I’m unfamiliar with Crown’s past work, but apparently The End of All Things is a complete departure from their older sound. Fair enough. If you’re new to the band like me, (or even if you’re not), Crown’s new album contains 46 Continue reading “Crown – The End of All Things (Review)”

Årabrot – Norwegian Gothic (Review)

Årabrot - Norwegian GothicÅrabrot are a Norwegian rock band and this is their ninth album.

Norwegian Gothic is a complex, multifaceted listen. Årabrot specialise in a dark, avant-garde form of music that may take a diverse array of influences into itself, (noise rock, experimental, pop, punk, soul, metal, folk, industrial, etc.), but ultimately Continue reading “Årabrot – Norwegian Gothic (Review)”

Culted – Nous (Review)

Culted - NousCulted are an international blackened doom band and this is their third album.

It has been many years since 2014’s Oblique to All Paths, although we were gifted with an EP in 2019 – Vespertina Synaxis – A Prayer for Union & EmptinessNous contains 64 minutes of new, apocalyptic material, which Continue reading “Culted – Nous (Review)”

Sow Discord – Quiet Earth (Review)

Sow Discord - Quiet EarthThis is debut album from Australian one-man doom/noise band Sow Discord.

Across this album the artist behind Sow Discord fuses industrial and noise influences into a doom-fuelled 45 minutes of dark apocalyptic atmospherics. He does this very capably, with a keen ear for texture and malevolent mood. He’s Continue reading “Sow Discord – Quiet Earth (Review)”