Uniform & The Body – Everything That Dies Someday Comes Back (Review)

Uniform & The Body - Everything That Dies Someday Comes BackThis is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.

I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading

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Unprocessed – Artificial Void (Review)

Unprocessed - Artificial VoidUnprocessed are a German progressive metal band and this is their third album.

Artificial Void contains 58 minutes of technical wizardry and complex structures and fuses them into a modern progressive metal journey that’s a rather impressive achievement. Not the least of this is because the album takes a vibrant, fresh approach to what could easily be tired and stale in another band’s lesser hands, (and frequently is). Continue reading

LINGUA IGNOTA – CALIGULA (Review)

LINGUA IGNOTA - CALIGULALINGUA IGNOTA is a one woman experimental artist, and this is her latest album.

Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading

Anaal Nathrakh – A New Kind of Horror (Review)

Anaal NathrakhAnaal Nathrakh are a UK black metal band and this is their tenth album.

Ever since their early days Anaal Nathrakh have carved out a unique identity for themselves in the extreme metal landscape. Albums like Desideratum and The Whole of the Law both showcased well the Continue reading

KEN Mode – Loved (Review)

KEN ModeKEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.

Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading