Anaal Nathrakh – A New Kind of Horror (Review)

Anaal NathrakhAnaal Nathrakh are a UK black metal band and this is their tenth album.

Ever since their early days Anaal Nathrakh have carved out a unique identity for themselves in the extreme metal landscape. Albums like Desideratum and The Whole of the Law both showcased well the Continue reading

KEN Mode – Loved (Review)

KEN ModeKEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.

Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading

Gnaw Their Tongues & Crowhurst – Burning Ad Infinitum: A Collaboration (Review)

Gnaw Their Tongues & CrowhurstGnaw Their Tongues and Crowhurst are both one man projects. The former is from the Netherlands and the latter is from the US. Both specialise in experimental/black metal music, and they have collaborated for this release. Continue reading

The Body – I Have Fought Against It, but I Can’t Any Longer (Review)

The BodyThis is the fifth album from US experimental sludge band The Body.

After 2016’s monstrous No One Deserves Happiness, and their sterling collaboration with Full of Hell, we now have another 50 minutes of harsh sounds that merge industrial, noise, sludge, doom, and electronics together into a captivating whole. Continue reading

Dagger Lust – Siege Bondage Adverse to the Godhead (Review)

Dagger LustDagger Lust are a black metal/grind/noise band from the US and this is their debut album.

Featuring members of Triumvir Foul and Witch Vomit, Dagger Lust play ugly, underground black metal that’s been further polluted with murky grindcore and barbed noise. It’s relentlessly nasty and completely unwholesome. Continue reading