This is the third album from UK doomgaze band Sugar Horse.
Following on from 2024’s well-received The Grand Scheme of Things, Not a Sound in Heaven offers up 44 minutes of new music for fans of the band to salivate over. Yep, Sugar Horse are back, and this time Continue reading “Sugar Horse – Not a Sound in Heaven (Review)”
This is a collaborative album between two legendary acts, Melvins from the US and Napalm Death from the UK.
Originally released last year as a 6-track limited tour CD/vinyl, Savage Imperial Death March is now getting a full release, with two extra songs and new artwork. It’s a 40-minute journey into an uncrowded collaborative space that brings together the sludgy melodic skill of Melvins and the off-centre experimental side of Napalm Death. Continue reading “Melvins with Napalm Death – Savage Imperial Death March (Review)”
This is the debut album from Finnish death metal band Ligation.
After Gods is billed as a full album, although it actually only contains 24 minutes of new music, spread over five tracks. However, there’s also a version with three additional bonus tracks that have been taken from Ligation’s previous two split releases, which brings the total up to 41 minutes. Either way, it’s an unconventional approach, but then Ligation’s music is unconventional too. Continue reading “Ligation – After Gods (Review)”
This is the second album from US solo extreme metal band Kostnatění.
2023’s Úpal was a notable record, standing out from the crowd with its atypical approach to black metal. Now comes Přílišnost, and it’s a refined beast of uncommon extremity we find ourselves faced with. Continue reading “Kostnatění – Přílišnost (Excess) (Review)”
This is the second album from UK mathcore band Pupil Slicer.
Following on from 2023’s well-received Blossom, Pupil Slicer have returned with the 36-minute Fleshwork. In this review I’ll make the case that this is peak Pupil Slicer so far. Fleshwork is a monster. If a mix of bands such as Converge, Deafheaven, Heriot, Rolo Tomassi, and Svalbard, sounds good, then this is one for you. Continue reading “Pupil Slicer – Fleshwork (Review)”
Sanguisugabogg are a death metal band from the US and this is their third album.
Following on from 2023’s Homicidal Ecstasy comes the 48-minute Hideous Aftermath. Sanguisugabogg have created a limbering death metal monster. Laying bloody waste to all around it, it’s ridiculously enjoyable and well-crafted. Yep, this beats Homicidal Ecstasy to death and revels in its destruction. As much as I liked that record, this is superior in every way that counts. Continue reading “Sanguisugabogg – Hideous Aftermath (Review)”
This is the second album from Heathe, a post-metal/rock band from Denmark.
Control Your Soul’s Desire for Freedom is the 64-minute follow up to 2019’s On the Tombstones; the Symbols Engraved. Heathe have developed their sound on this new record, expanding widely into multifaceted waters that take in a broad set of influences. I’ve tagged this above as post-metal/rock, but it’s not really – at least not in any traditional sense. They are simply the closest broad terms relevant. There’s certainly very little in the way of metal on this record, for example. Heathe exist in a niche world, where a lot of recognisable materials have been mangled into something quite atypical. Continue reading “Heathe – Control Your Soul’s Desire for Freedom (Review)”
This is the sixth album from US deathcore band Signs of the Swarm.
From 2017’s The Disfigurement of Existence to 2019’s Vital Deprivation, to 2021’s Absolvere to 2023’s Amongst the Low & Empty, Signs of the Swarm have been reliably pumping out solid deathcore material for fans of the style to lap up. Which brings us nicely to this year’s To Rid Myself of Truth; 40 minutes of new material, and another dependably good slab of heaviness. Continue reading “Signs of the Swarm – To Rid Myself of Truth (Review)”
This is the second album by Stomach, a doom/sludge band from the US.
Containing 43 minutes of thoroughly obnoxious doom sludge nastiness, Low Demon is a hideous mix of doom, sludge, drone, noise, grindcore, industrial, and punk. Stomach, brought to us by current/ex-members of Weekend Nachos, know their way around the style, as becomes quickly apparent across these five tracks. Continue reading “Stomach – Low Demon (Review)”
This is the second album from UK extreme metallers Outergods.
Outergods play a hybrid style that mixes black, death, and grind influences into a 45-minute record of brutal intensity. The band’s Bandcamp page recommends this for At The Gates, Anaal Nathrakh, Morbid Angel, Hate Eternal, and Strapping Young Lad, which should give you a good starting point for Dethroned & Devoured. Continue reading “Outergods – Dethroned & Devoured (Review)”
Wonderbox Metal 