Manes are from Norway and this is their fourth album.
Following on from their last release Teeth, Toes and Other Trinkets, which was an anthology, this is the first new Manes album in seven years.
Manes play a beguiling blend of artistic Rock, Darkwave Trip Hop, Avant Garde and 80’s-style Pop. It’s subtle, charming, disarming and insidious.
These songs have a laid back quality to them that’s almost detached from the actual music; as if something has been created by the music that hovers just out of view yet its effects can be felt by a lasting aura of deceptive comfort and false familiarity. This lends the songs a certain flavour of the otherworldly and the different.
There is a low-key catchiness to the tracks as well. Again, it’s a subtle affair, as even though the songs obviously contain hooks the first time you listen to them, it takes multiple listens for them to fully work their magic. Such is the nature of all great albums that have true longevity and depth.
There is so much to experience here. Manes create across a vast canvas using a rich palette of colours. There’s a lot that’s easily missed on first glance and only after taking it in for a good amount of time can you really appreciate what they have done here.
The singer’s captivating vocals are on strong form and the bleak-yet-uplifting-yet-not melodies that he uses complement the instruments perfectly adding layers of emotion to already emotive and layered songs.
This is music for dark nights and even darker activities. This is music that drips with soul and is ethereal in nature.
Fans of bands such as Arcturus, Ulver, Lethe, Dødheimsgard, Green Carnation, In The Woods…, etc. will lap this up, and with good reason.
It’s time to enter the world of Manes.