House of Wolf and Crow is a music collective primarily focusing on midwest USA/Minnesota bands, in this case, Shaidar Logoth, Herzegovinian, and Horrid Litany. All three bands contribute one song, and the split release has a total duration of 19 minutes. Continue reading “House of Wolf and Crow (Shaidar Logoth/Herzegovinian/Horrid Litany) – Dawn of the Trident – Split (Review)”
So what dark delights do we have for you this month? Yes, once again it’s time to delve into the best releases that June had to offer, and what a bunch of fine albums we have to share with you this time… Continue reading “Monthly Overview – the Best of June 2018”
Hekatomb is a one man band brought to us by the vocalist of Marduk.
Hold on tight, because Hekatomb is a whirlwind of savage destruction and creative intensity. Continue reading “Funeral Mist – Hekatomb (Review)”
This is ritualistic, occult black metal that takes influence from such bands as Ondskapt, Schammasch, and Funeral Mist to craft music that takes the listener on a blackened journey to sights foul and unclean. Continue reading “Lvx Haeresis – Descensŭs Spīrĭtŭs (Review)”
The music on this album combines malevolent atmospheres with occult stylings to create a masterpiece of supreme Black Metal art. Blaze of Perdition manage to simultaneously remain true to Black Metal’s heart of darkness while being bold enough to fashion it to their steely will.
If you worship bands such as Deathspell Omega, Watain, Marduk and Funeral Mist then this is for you. Like the aforementioned bands, Blaze of Perdition take the listener on a journey through Blackened soundscapes and rarely-explored musical vistas.
It’s not that the band are wildly innovative, very few bands are; it’s more that they have a gift for twisting Black Metal into shapes that are perfectly recognisable yet still manage to impress and have their own warped personalities and identities. Bands like this manage to create their own dark worlds that you seem to fall into, emerging once again only when the journey is complete and the music has had its way with you.
Near Death Revelations succeeds in capturing the essence of what makes Black Metal so exciting and provocative. The band infuse this with their unique vision without losing the core identity of the style. The songs are compelling and engaging compositions that are diverse enough to retain interest without straying too far from the central stylistic themes.
Black Metal is an ever-mutating beast that throws up challenging new interpretations almost as much as it pumps out those who seek to recreate the core style of the genre. Bands like Blaze of Perdition are exceptional in that they not only create their art at the precise point where both avenues of exploration overlap, but they also use this point to diverge into their own full-fledged existence, and take up the mantle as leaders, not followers.
Near Death Revelations may have been born out of tragedy but its coming of age will be a thing of dark, resplendent beauty. As the phoenix arises, all shall cower from its terrible, glorious form.
Rejoice, for Blaze of Perdition has come.
French Black Metal always has something interesting to add to the genre and there are a large amount of quality and interesting Black Metal bands that call France home.
With this in mind, let’s have a look at The Negation. As becomes swiftly apparent, this is another gritty jewel in the French scene’s horned crown.
The Negation play grim-ridden Black Metal that stylistically speaks of bands like Deathspell Omega and Funeral Mist, mixed with the more orthodox Black Metal delivery of someone like Dark Funeral and the raging hatred of a band like Anaal Nathrakh.
Raging hatred is a good term for The Nagation; this is music that definitely rages and you can almost feel the heat come from the guitars. There’s an ugly brutality to this and the songs on Memento Mori are like dangerous slabs of spiked hatred-made-manifest.
Occasionally breaking out from the band’s onslaught are dark melodies and even the odd solo. These fleeting attempts to escape the nihilistic vacuum that the band creates are quickly drawn back into the fold though and smothered with darkness, not to be seen again until the next brief escape attempt.
Blackened screams that are seemingly filled with bile and disgust infest the music like malignant growths.
This is not pretty Black Metal. This is raw, evil and devastating. It’s also a damn fine listen.
French Black Metal wins again.