Oh, what a sickeningly horrible feast of underground death metal we have for you here! Each band has two tracks, and each band gives a good accounting of themselves. Continue reading “Soulskinner/Obsecration/Abyssus/Malicious Silence – Sign of the Covenant of Death – Split (Review)”
Featuring current and ex-members of bands such as Decrepit Birth, Scour, Deeds of Flesh, Arkaik, Allegaeon, Inanimate Existence, Pathology, and Rings of Saturn, before even listening to Designed Obsolescence you know that there’s a wealth of extreme metal experience that’s gone into its forging. Continue reading “Continuum – Designed Obsolescence (Review)”
In some ways this album is a textbook example of what-you-see-is-what-you-get – the album cover just screams brutal death metal ripped from the underground in huge great bloody chunks. In other ways, however, this does Bludgeon a disservice, as this release is surprisingly technical and involved, and the band’s individual personality shines through the gore with an unexpected brightness. Continue reading “Bludgeon – Devoted to Lunacy (Review)”
Featuring members of Intravenous Contamination, this is brutal death metal that somewhat combines the USDM style, (Suffocation, Deeds of Flesh, Dying Fetus), with a touch of an Aborted flavour in places. It’s brutal, it slams, and it’s a jolly good listen. Continue reading “Pighead – Until All Flesh Decays (Review)”
Here we have a 30 minute feast of underground, ugly brutality inspired by the classic USDM sound. This is for fans of Suffocation, Deeds of Flesh, Dying Fetus, Origin and the like. Grausig pay homage to their heroes across this relatively short album by playing their death metal as brutally as they can. Continue reading “Grausig – Di Belakang Garis Musuh (Review)”
This is brutal death metal in the American style, with plenty of weight and muscularity in their sound. For fans of Defeated Sanity, Suffocation, Dying Fetus, Cannibal Corpse, Deeds of Flesh, Pyrexia, Internal Bleeding, etc.
The band offer up 17 minutes of Continue reading “Throne of Botis – Hymns of Homicide (Review)”
Abnormality’s 2012 début album Contaminating the Hive Mind was a standout slab of unrelenting brutality, really placing them highly in the extreme Metal hierarchy in my mind.
Well, it’s been four long years, but now Continue reading “Abnormality – Mechanisms of Omniscience (Review)”
Combining some technicality and lots of brutality, Inherit Disease play a classic USDM style that allows them to showcase their love of the genre and all things brutal.
The music on Ephemeral combines speedy aggression with some chunky slam riffs, producing 39 minutes of utterly depraved brutality.
The singer’s vocals are sickeningly deep, stopping just short of descending into the kind of ridiculous pignoise burping that tends to ruin bands. His voice is as ugly and as gruesome as the music.
Ephemeral is unrelenting and harsh, rarely stopping for breath as it chops, hacks and carves its way through the tracks. There’s something very satisfying about this kind of music. It’s just so timelessly appealing; despite what other musical trends and moods might take you, Death Metal will always be there. Waiting. Lurking. Ready to strike.
I like that the more you listen to this, the more you enjoy it. It’s an unstoppable juggernaut of groove and blasting, easily absorbed by anyone who has a taste for bands like Deeds of Flesh, Suffocation, Cannibal Corpse, Severe Torture, Dying Fetus, Defeated Sanity, etc.
For a solid fix of heavy brutality and death-dealing, Inherit Disease have got you covered.
Check them out.
This is Brutal Death Metal for fans of Deeds of Flesh, Severe Torture, Vile and the like. Indeed, the last song on here is a Vile cover.
Guttural growls lead the way, deep and dark atop the gore-drenched music. The singer is an accomplished grunter and leaves no doubt in your mind that you are firmly in his sights and may very well be on the menu.
The band have a slightly odd production in that everything sounds extremely sharp; whereas the average Death Metal band will happily pummel you to death with blunt objects, The Sickening prefer to use knives and bladed weapons.
The recording allows the band to make ample use of their bassist too, which is something I always enjoy in my Death Metal.
The songs have plenty of chug and groove in them, as well as the requisite blasting barbarity. This is a band that doesn’t understand the word subtle and is quite happy going straight for the kill in every one of these tracks.
When only Brutal Death Metal in its purest of forms will do, The Sickening are here for you.
Check them out.
This is Brutal Death Metal that wastes no time on pointless intros or messing around; the album starts with a bang and is all about the aggression and violence.
Display of Decay’s brand of brutality involves nods towards the Old-School as well as worshipping at the more timeless brand of thick, groove-laden Death Metal skullduggery so beloved of bands like Deeds of Flesh, Cannibal Corpse and Suffocation.
The album has a good production; it’s raw and dry enough to fit nicely in with the underground, but strong and focused enough to have a powerful presence. I love the sound of the bass too; scratchy and omnipresent without being overpowering. It’s as if it’s saying “Yes, I’m here. I’ll be the end of you, too”.
There’s a good combination of blasting, mid-paced groove and slower sections that have a definite Doom vibe to them, akin to bands like Incantation, Zombiefication and Hooded Menace. The songs are well-written and there are plenty of decent riffs hanging around, like torture implements waiting to be used.
Dust of Existence is a really enjoyable Death Metal album that succeeds in avoiding being a faceless drone in a sea of similar bands and instead has a personality and character that’s very pleasing to see.
Blow the dust away and crank out Display of Decay at full volume.