Since 2014’s Storming Heaven it seems that Fornicus have only become harsher and more extreme with their black metal. Hymns of Dominion is 43 minutes of fast and scathing icy hatred. Continue reading “Fornicus – Hymns of Dominion (Review)”
Despite there actually being a fair few bands out there that play blackened thrash metal in a convincing and enjoyable way, I still always think of myself as someone that’s not a huge fan of mixing the two. I think it’s Continue reading “Wolf’s Hunger – Bež’te Živi, Vraćaju Se Mrtvi (Review)”
With roots firmly growing out of the distant 80s, this is black metal with thrash influences. Or thrash metal with blackened influences. Who cares; turn up the volume, press play and revel in the ridiculously OTT 80s nature of this thoroughly endearing release.
The recording has a wonderfully cosmic edge, surely influenced by Continue reading “Inculcator – Void Abecedary (Review)”
Ever since I first heard Satanic War in Jerusalem back in 2002, it was immediately apparent that there was something different, something special, about Arallu’s music. Sure, it was black metal and contained recognisably black metal components, but there was also something extra that the band had. They’ve nurtured and developed it over the years, and every time I hear them I’m reminded of just how individual they are.
So basically, we get black metal in the recognisable format, but twisted with Continue reading “Arallu – Geniewar (Review)”
Pokerface play Thrash Metal with a modern sheen that nonetheless takes its cues from the early, aggressive style of the genre. Think a modern take on older Kreator and Slayer via a bit of Dew Scented.
The singer has an impressive snarl that she uses to great effect. She varies her attack and includes higher and lower screams, as well as even the odd bit of spoken-word.
The musicianship is tight and first-rate without being flashy. There are solos aplenty and these are very enjoyable.
The production is strong enough to showcase the band at their best but not polished enough to give them that manufactured feeling. Pokerface are the real deal and Divide and Rule is 36 minutes of ferocious underground Thrash Metal.
The songs are sharp and fast, going straight for the jugular with lethal intent. Songwriting ability is clearly valued highly and there are lots of hooks and catchy moments across these 10 tracks. The songs are well-written and the performance is energetic. There’s a lot of content on this album and the band offer up a meaty feast to be hungrily devoured by Thrash fans everywhere.
It’s really nice to hear this kind of Thrash Metal. In an age where a lot of Thrash bands seem to be take the retro/comedy route, seem compelled to have some form of nonsense gimmick, or blend their Thrash with other styles, it’s great to hear a band like Pokerface who play no-nonsense aggressive music, backed up by talent, skill and confidence.
I could easily imagine this band being snapped up by one of the larger labels and given wider exposure. Let’s hope that happens, eh?
If you’re looking for a bit of satisfying Thrash Metal with good songs and a killer instinct, look no further.
Manzer play Thrashy Black Metal with a real underground feel and lots of savagery. Fast and furious, Manzer carve their way through an impressive 78 minutes of music on this collection. It’s a lot to sit through if you’re not completely in the mood for their Thrashed-up Blackened assault, but it’s definitely worth the effort as there are some real gems on this release.
The singer has a raspy voice that lets you know in no uncertain terms that this is not a band to be messed with. These occasionally descend into demented howling and early-Slayer-esque screams, bringing out the Thrash influence in the singer’s charismatic voice.
I like that these songs, for the most part, have a really good mix of Black and Thrash Metal in the right amounts. Old-School Thrash with lots of flair and character is dragged down into the filth and given a blasting, dirty, Blackened skullfuck until it knows its place and does its master’s bidding. First-wave Black Metal and Old-School Thrash collide, fight it out and result in Manzer.
It’s a very satisfying listen and gets straight to the point of the matter. Blackened Thrash can be a bit tiresome sometimes, but I find that, despite the length, I still enjoy this release a great deal more than similar releases from other bands that might have less than half the running time.
In addition to the original songs there are some live tracks and also covers of Venom, Abigail, Motörhead and Mercyful Fate.
A very enjoyable collection of volatile, raw Blackened Thrash. Recommended.
Opening straight off the bat with a strong sound, Nuclear reveal themselves to be fast-paced Thrash Metal. Taking cues from bands such as Kreator and Slayer, this is a much more aggressive Thrash than we normally get to see and all the more powerful because of it.
The riffs are tight and sharp, showing a reverence for classic Thrash, but also a personal touch that allows the band to throw in a few different flourishes here and there. The drums pound and never let up, while the bass is actually audible on occasion.
The vocals are angry snarls that are similar enough to the singer of Slayer to sound familiar but individual enough for that to not be an issue in any negative way.
Each of these songs sounds like it’s on fire. There’s a passionate energy that hangs around them like a blaze and it’s so damn hard to sit still when the band are just Thrashing out with passion and style; the tracks are well-written and have lots of hooks.
Catchy and aggressive Thrash Metal? That’s the best combination it seems.
These days I find I tire so easily of Thrash, as it seems to be largely populated by bands who go the Retro/Old-School/humorous route, and while there’s nothing inherently wrong with that it’s just so easy to become stale playing those styles. Nuclear, however, have reminded me why Thrash, in the right hands, is so damn essential. In a similar way to Alkira, Dew Scented and Algebra; Nuclear are a Thrash band that have gone all out in the aggression stakes resulting in an absolute winner of an album.
Here we have a band who have thrown out all of the nonsense and produced an album that straight-forwardly rips its way through the running time with relish, enthusiasm and above all, talent. This is aggressive, raw and utterly, wickedly delightful.
If you find yourself on the more jaded side of things when it comes to Thrash Metal then I heavily advise you to check out Formula for Anarchy. Maybe it can relight the passion for Thrash Metal in you.
I really can’t say enough good things about this album. Simply check it out and get ready for a wild ride.
The album starts off unexpectedly, with a 2 minute instrumental that gently builds and sounds more in-line with a Progressive Metal band. The next song brings the Thrash so hard and heavy though it’s straight into the meat of things.
Taking their cues from the harsher side of Thrash, there’s no retro, humorous nonsense here; this is Thrash Metal to kill to.
If you’re a fan of Kreator, Slayer and Sepultura’s brand of Thrash, (and who isn’t?), then Alkira should scratch that itch for you.
Sharp riffs and jagged guitars infest the songs. Old-School Thrash Metal has rarely sounded so barbed. A meaty production rounds off the package.
The songs are well written and the longer nature of some of the tracks allows the band to fully explore their chosen style. Tasty solos, solid drumming and vocals that sound like lacerations make for an engaging listen.
There are 11 tracks, including a good Sepultura cover. All in all, 57 minutes of Metal. I can imagine this band being amazing live.
If you’re tired of bands taking the stupid route to this style of music and yearn for some good, old-fashioned, honest, killer-Thrash; look no further than Alkira.
The music is complex and delivered by the band with a tight performance. Musically it’s an exciting cross between Slayer and early Sepultura. For all the popularity of these two giants not many Thrash bands seem to play styles reminiscent of them today, so this is a refreshing listen in this sense.
Vocally the singer spends the majority of his time legibly shouting over the top of the heavily aggressive Thrash. A cleaner style appears on occasion and these vocals are individual enough to enhance the songs rather than detract from them.
The songs Thrash their way through their playing time with a strong sound and furious drumming. Each track is played well and Thrash Metal is rarely executed as heavily as this. Solos are shredded and riffs are assaulted; this is a very satisfying listen.
Unexpectedly for a band who take their influences from the heavier side of Thrash Metal; the track My Shelf turns out to be somewhat of a ballad in the Testament/Metallica style. It shows a willingness on the side of the band to inject variety into the album, and overall I like it.
Algebra have produced a thoroughly enjoyable album that takes from the heavier and darker side of 80’s Thrash, the side that a lot of bands forget. Algebra remember, and they want you to as well. Pick up Feed the Ego and remember how good it feels.
Oops. Sorry. Excuse me; got all carried away then.
There we go again…
Apparently this record was almost a decade in the making. I would say it has been time well spent as this is a quality album by a band who are paying homage to the best of the genre and simultaneously paving the way for the future.
This is breakneck Thrash forged in the fires of Slayer and given teeth with a production that lets the talent of the band shine bright.
The songs are mainly short, mostly not even breaking the three minute mark; but who needs longer songs when you can go Metal Thrashing Mad in half the time it takes other bands to get up to speed? And did I mention they have solos? I think I did.
The singer comes across as the bastard love child of Tom Araya and Mille Petrozza, (if you can imagine such a thing), and he does both of his spiritual fathers justice. A voice like nails on a blackboard.
An appropriate soundtrack to accompany you into the pit.