Gods Forsaken – Smells of Death (Review)

Gods Forsaken - Smells of DeathGods Forsaken are a death metal supergroup and this is their second album.

This is the follow up to the band’s 2017 debut album In a Pitch Black Grave, and it shows that Gods Forsaken have lost none of their talent for butchery. Continue reading


Heads for the Dead – Serpent’s Curse (Review)

Heads for the DeadHeads for the Dead are an international death metal band and this is their debut album.

Here we have another death metal supergroup of sorts from the always reliable Transcending Obscurity Records. Featuring the vocalist of the very tasty Revel in Flesh and the multi-talented Jonny Pettersson, (Ursinne, Ashcloud, Henry Kane, Just Before Dawn, Wombbath, and others), Serpent’s Curse gives us 36 minutes of horror-themed old-school death metal. Continue reading

Just Before Dawn – Tides of Blood (Review)

Just Before DawnJust Before Dawn are an international death metal band and this is their third album.

Having enjoyed both The Aftermath and The Dead and Those About to Die, a new Just Before Dawn release is always welcome.

To give you a very good idea of who has been involved with this album, I’m just going to reproduce a bit of the promo blurb below –  Continue reading

Ursinne – Swim with the Leviathan (Review)

UrsinneThis is the debut album of death metal supergroup Ursinne.

A death metal supergroup you say? Sounds interesting.

So who’s involved?

Well, this is a collaboration between Dave Ingram and Jonny Pettersson. Between them they Continue reading

Wombbath – Downfall Rising (Review)

WombbathThis is the second album from Swedish Death Metallers Wombbath.

I knew I had to review this one as soon as I saw the band name. Wombbath. Womb. Bath. Well, that got my attention.

Here we have 32 minutes of gore-soaked Death Metal. Yes, they’re Swedish, and yes, they play Death Metal, so yes, this is Swedish Death Metal, chainsaws and all.

After a pointless intro we get some immediately tasty guitar brutality and I’m instantly reminded of why I have such a soft spot for this particular Death Metal sub-genre.

In addition to the requisite chainsaw sound of the crushing guitars, the macabre melodies are also present and correct. Old-School Swedish Death Metal may not be for everyone, but if you are partial to it then Wombbath certainly have all the right moves.

The vocals are daemonic-sounding growls that seem to scrape through into the world from a throat that has been to all of the dark places in existence. It’s an impressive roar and a little different from the generic deathgrunting that populates most Death Metal albums.

The songs tear and rip their way through the playing time and have a good diversity of speeds and tempos, from blast to crawl. The songwriting is good and if you’re into the style this is a good example of how it’s done right.

Wombbath. Womb. Bath. Time to test the waters.