2018’s Serpent’s Curse was a great record, so this new one is much-anticipated. Into the Red contains 47 minutes of horror-themed old-school death metal, and the album has been worth anticipating; this is a crushing record that deserves much attention. Continue reading
I do enjoy Henry Kane’s work. If you haven’t already, make sure you check out Den Förstörda Människans Rike and the split with Prolefeed. Brought to us by the man-of-a-million-bands Jonny Pettersson, (Ashcloud, Gods Forsaken, Heads for the Dead, Just Before Dawn, Ursinne, Wombbath, and many others), Age of the Idiot is a brutally sublime piece of extremity. Continue reading
SWEDISH DEATH METAL!!! Yeah! Wombbath return to give us another 50 minutes of the good stuff. I have a soft spot for this style that’s undeniable, but Wombbath have proven their worth in the past. Featuring members of bands such as Ashcloud, Henry Kane, Just Before Dawn, Gods Forsaken, Heads for the Dead, Ursinne, Repulsive Vision, and many others, you know that the style is in experienced hands before even pressing play. Continue reading
Here we have another death metal supergroup of sorts from the always reliable Transcending Obscurity Records. Featuring the vocalist of the very tasty Revel in Flesh and the multi-talented Jonny Pettersson, (Ursinne, Ashcloud, Henry Kane, Just Before Dawn, Wombbath, and others), Serpent’s Curse gives us 36 minutes of horror-themed old-school death metal. Continue reading
Ahh, Swedish death metal. You just keep giving and giving and giving, don’t you? It was 2015 when I last encountered Wombbath, with Continue reading
To give you a very good idea of who has been involved with this album, I’m just going to reproduce a bit of the promo blurb below – Continue reading
A death metal supergroup you say? Sounds interesting.
So who’s involved?
Well, this is a collaboration between Dave Ingram and Jonny Pettersson. Between them they Continue reading
I knew I had to review this one as soon as I saw the band name. Wombbath. Womb. Bath. Well, that got my attention.
Here we have 32 minutes of gore-soaked Death Metal. Yes, they’re Swedish, and yes, they play Death Metal, so yes, this is Swedish Death Metal, chainsaws and all.
After a pointless intro we get some immediately tasty guitar brutality and I’m instantly reminded of why I have such a soft spot for this particular Death Metal sub-genre.
In addition to the requisite chainsaw sound of the crushing guitars, the macabre melodies are also present and correct. Old-School Swedish Death Metal may not be for everyone, but if you are partial to it then Wombbath certainly have all the right moves.
The vocals are daemonic-sounding growls that seem to scrape through into the world from a throat that has been to all of the dark places in existence. It’s an impressive roar and a little different from the generic deathgrunting that populates most Death Metal albums.
The songs tear and rip their way through the playing time and have a good diversity of speeds and tempos, from blast to crawl. The songwriting is good and if you’re into the style this is a good example of how it’s done right.
Wombbath. Womb. Bath. Time to test the waters.